This is the largest of a series of still life paintings I played with for an exhibition themed on 'what lies beneath', the sights and questions we don't always consider in our busy day to day lives. The bullet holes make we wonder about the story of this fellow's life and his likely untimely end. I enjoyed the quiet calm of the colours that invite contemplation and the gentle contrasts between the blue shadows on the cloth and the warm orange of the skull and intentinally wanted the straight-on composition to pay tribute to Georgia O'Keefe's wonderful cow skull paintings.
A bull's story
(Requires Framing)
Artwork Details
Medium | Oil, Linen (Requires Framing) |
Dimensions | 35.4in (W) x 47.2in (H) x 1.4in (D) |
19,004 Customer Reviews |
Return it for free within 7 days
Artwork Description
Artist Bio
I was born in 1967 in the west of England and came to Australia with my husband in 1998, settling in Alice Springs in 2000. After completing a BA and a PhD in Literature, and a period with the British Foreign Office, I began teaching in 1995, which I’ve been doing ever since.
I paint in oils and while I have no formal training, I have developed my practice over the years through my involvement with the Central Australian Art Society and Studio 12 artists’ collective (life-drawing, plein-air painting, exhibiting).
I’m fascinated by the identity of things, what the poet Gerard Manley Hopkins called their ‘inscape,’ the internal power that holds the elements together and makes the thing unique. My paintings are an attempt to represent the moment of glimpsing or ‘catching’ the inscape of the thing, be it a skyline, a person or a camel. They also explore the way light works both to shape and to convey identity and feeling. The quality of the light in central Australia still astonishes me after years here.