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Artwork Details

Medium Acrylic, Canvas, Ready to hang
Dimensions 40.2in (W) x 40.2in (H) x 1.2in (D)
Review Stars 21,287 Customer Reviews
Original Artwork
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Artwork Description

A commentary on the rapid rise of information technology from the 70’s to where we are now and what the future might look like down the one way corridor into the digital metaverse landscape, for better or for worse?

Visual cues taken from early computer graphics and colours of the Meta and Instagram logos. The receding rectangles represent replicating hand held digital devices.

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Artist Bio

Brad Holland is an Australian artist living and working on Kaurna land near Port Adelaide, South Australia. His work has been exhibited in solo and group shows across Australia, and in 2021 he was awarded the inaugural Founders Award for Large Statement Artworks in the Bluethumb Art Prize.

Drawing on personal history and long-held visual interests, Holland’s paintings explore a language shaped by 1970s and 1980s computer graphics, sci-fi visual effects, optical illusions, pop culture, and imagined inner landscapes. These influences are informed by over twenty years of experience working as a visual merchandiser for leading department stores, where spatial composition, colour, and visual impact were central concerns.

Originally working as a figurative painter, Holland shifted toward masking tape and hard-edge techniques in response to living with essential tremor, a degenerative neurological condition affecting hand stability. This transition became a defining aspect of his practice, allowing precision, control, and clarity to emerge through structure.

Today, his work is characterised by pulsating rectangles, transparent planes, concentric forms, and graphic patterns. Subtle transitions of tone and colour create immersive, meditative spaces that invite sustained attention and quiet contemplation.