Nude line study. Kneeling Otylie.

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(Requires Framing)

$260

Artwork Details

Medium Drawing, Cardboard (Requires Framing)
Dimensions 19.7in (W) x 26in (H) x 0.4in (D)
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Artwork Description

This line art drawing is part of a series of studies for future nude figure paintings. I often sketch out the main lines of a future panting and hang it on the wall so I can mull it over: make sure the proportions are correct and the lines are in the right place. Often, if you look closely, you can see where I’ve rubbed some lines out here or whitened up a small area there. I like these artworks. They are very unpretentious and elegant and I enjoy how such a simple element as Line can be so expressive in such a calm and serene manner.

This drawing uses permanent inks on acid free art card which is about 3mm thick and ready to frame. The artwork has been lightly fixed with a varnish and could be framed without glass if you wish.

Artist Bio

Born in Hampshire, England, Colin arrived in Australia in 1971 and found work making chandeliers and later delivering rental televisions. Studying for matriculation over two years at night school he enrolled in Art College at the Preston Institute of Technology in 1975. A number of leading artists taught at PIT and Colin had the opportunity to work in audio with David Tolley, conceptualism with Dom De Clario, with the hard edge painting of Dale Hickey and the large, expressionistic work of Peter Booth, all of who have subtly influenced his own art. Majoring in Sound and Painting Colin left to drive taxis and to teach Art. Failing to heed the advice of a gallery director who told him to consider concentrating on one genre and sticking to it Colin continues to produce figurative paintings and drawings; large, ambient, colourwork and the occasional sculpture, installation and audio work.
About my artwork.
My work is generated from things around me that fit a certain feeling. At times I go looking and find them in places, or in objects and people. Other times I find them in a less active fashion, in sounds or perhaps in dreams or blends of colours. I find making artwork irresistible and enjoy the actual cognition of looking, listening and producing the work. Art is a rich tool, a mechanism that I can use to explore and respond to this curious and strange world where things appear both solidly real and also evasive and elusive.

Commissions

Colin's studio is in Mildura, Australia