This artwork is one of a series that seeks to capture the portraits of exceptional people. It’s a tipping the hat, if you like, to individuals who have shared my life in some way, maybe helped me think or see things differently. I like to use a “Pop Art” aesthetic for these portraits and I like to push the figurative aspect into the abstract. I use a black and white pallet to emphasise the elements of form and shape. It’s interesting how the eye roves over the lines and shapes and, stepping back, sees clarity. This acrylic painting is on acid free art card which is about 3mm thick and ready to frame. The painting has been varnished and there is no real need to frame under glass.
Portrait of Annie Lennox
(Requires Framing)
Artwork Details
Medium | Acrylic, Cardboard (Requires Framing) |
Dimensions | 23.6in (W) x 29.1in (H) x 0.2in (D) |
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Artwork Description
Artist Bio
Born in Hampshire, England, Colin arrived in Australia in 1971 and found work making chandeliers and later delivering rental televisions. Studying for matriculation over two years at night school he enrolled in Art College at the Preston Institute of Technology in 1975. A number of leading artists taught at PIT and Colin had the opportunity to work in audio with David Tolley, conceptualism with Dom De Clario, with the hard edge painting of Dale Hickey and the large, expressionistic work of Peter Booth, all of who have subtly influenced his own art. Majoring in Sound and Painting Colin left to drive taxis and to teach Art. Failing to heed the advice of a gallery director who told him to consider concentrating on one genre and sticking to it Colin continues to produce figurative paintings and drawings; large, ambient, colourwork and the occasional sculpture, installation and audio work.
About my artwork.
My work is generated from things around me that fit a certain feeling. At times I go looking and find them in places, or in objects and people. Other times I find them in a less active fashion, in sounds or perhaps in dreams or blends of colours. I find making artwork irresistible and enjoy the actual cognition of looking, listening and producing the work. Art is a rich tool, a mechanism that I can use to explore and respond to this curious and strange world where things appear both solidly real and also evasive and elusive.