Greylands 29 Ed. 1 of 10

Greylands.
nature and forgotten landscapes, weathered structures ,Solitude and mystery, Muted tones and soft focus, dreamlike atmospheres etched into desolate scenes. The ephemeral nature of time and place, a meditative escape into the abstract and sublime.
Nikon D850 camera with a 2470mm f/35 L series lens, digitally altered in photoshop and illustrator.

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I make surrealist works that pull the human figure through myth, anatomy, and dream. Genesis and creation, flesh formed from formless matter, the body as both subject and symbol — these are the threads I keep returning to, filtered through Greek and biblical myth and the visual grammar of Dalí, Magritte and the Symbolists.
My recent series treat the body as porcelain: the Delft Blue Anatomical works fuse the cobalt-and-white elegance of 17th-century Dutch Delftware with anatomical precision, a deliberate tension between fragility and structure. Other series — Soulscape, Ocean Colossus, Ex Nihilo — move the same preoccupations into landscapes of the mind, where the vastness of the ocean meets the confines of the skull.
I work primarily in digital media, printed on wrap-around canvas, in strictly limited editions. Every piece is a visual narrative — a fleeting moment or an elusive emotion, held still. Based in Australia. Currently accepting commissions.
Recently exhibited In New Yorks Times Square