KILLIECRANKIE DREAMING_3
This painting is Inspired by my visit to Flinders Island, Tasmania, and my fruitless attempt to find the elusive so called killiecrankie diamonds. It is also a reminder of the main reason for my trip to the island, my pilgrimage to Wybalenna; to show respect, and to view first hand the final resting place of many of our Aboriginal Elders/Ancestors,
The restored Chapel, the Cemetery and remnants of the demolished accommodation areas at Wybalenna were all emotional places to visit, and I could feel the presence of our ancestors during my visit there.
The central area of my painting represents Flinders Island/Wybalenna; it forms the shape of a ships steering wheel (helm); and depicts nine diamonds, the outer central area represents the multi-coloured diamonds (topaz) that I dreamed of finding; and beyond that; is a second circular area of nine diamonds one for each of the Tasmanian Aboriginal Nations, the diamonds are deposited there by constant erosion and water flow from the Killiecrankie Mountain to the sea that separates Flinders Island from the Tasmanian mainland.
The outer circles on my painting represent the Nine Tasmanian Aboriginal Nations, and the painting perimeter depicts the oceans that surround Tasmania.
Killiecrankie Dreaming_3 (Available As A Commission Only)
Framed by Artist
Stretched and ready to hang
This artwork is currently stretched and ready to hang.
It comes with an external frame.
Framed dimensions - 42.72(W) x 42.72(H).
Artwork dimensions - 41.73(W) x 41.73(H).
Artwork Details
Medium | Acrylic, Canvas, Framed by Artist |
Dimensions | 42.7in (W) x 42.7in (H) x 1.6in (D) |
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Artwork Description
Artist Bio
Uncle Gregory Matthews was born in Hobart, Tasmania in 1947; he is proud to be a descendant; and Senior Elder of Tasmania’s Manegin People, a clan group belonging to the Northwest Nation. Uncle Greg’s Totem is The Sea Eagle, and his language group is Peerapper.
As a child, Uncle Greg remembers a need to connect with the bush and nature, and he remembers his grandfather and uncles teaching him aboriginal culture & many useful bush survival skills. Uncle Greg’s family moved to Melbourne, Victoria when he was 10 years of age, and he has lived there ever since. As an adult, Uncle Greg reconnected with his Indigenous heritage by travelling to his ancestor’s country and meeting with his Clan Elders.
Uncle Greg’s paintings and stories are derived from his own research & life experiences, in conjunction with the Traditional Manegin Tribal Lores & Customs that have since been passed on to him. Uncle Greg has developed his own unique contemporary Aboriginal art style, his art has been displayed in Hobart & Melbourne Galleries and displayed in commercial premises in both Melbourne & Sydney. Uncle Greg’s art has been acquired by collectors Australia wide & internationally. Selected designs of Uncle Greg’s art have also been commercially reproduced on high quality cotton fabric and is currently available internationally.
Uncle Greg has achieved local recognition for his art, and his art has won awards. Uncle Greg’s studio is in Berwick, Victoria.
Uncle Greg pays respects to the traditional owners of the land upon which his studio is located; he also acknowledges Aboriginal Elders past present and those who are emerging.