Jenny Davis
210 artworks

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Melbourne, Victoria. Australia., Australia
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Artwork Description

Acrylic on canvas, stretched and ready to hang.

Signed certificate of authenticity.

Blackline Tracking over Cad on Ochre 2. Orange, ochre, red. Ready to Hang. ( Framing available) Abstract Painting.
About
Outback tracking '79. I see the landscape in an abstract way. Fragments become more important to me, highlighting , unforgotten and unseen gems .

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Medium

Winsor & Newton acrylic paint on gallery stretched, on deep- sided primed, cotton canvas. Ready to hang with all the hardware. Signed by the artist

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

Aerial Art, Beach & Seascape Art, Outback Art
#abstract art, #Jenny Davis, #bold abstract painting, #bold painting, #Orange painting, #ochre painting, #red painting, #outback landscape painting, #Outback landscape, #abstract painting, #orange, #red

All art by Jenny Davis

Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. Using collage, acrylic, and ink, I represented the chaos and order of nature. My use of vintage news print gives it a sense of time, suggesting narratives buried in the past, yet bursting with relevance. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In creating this piece, I invoked the raw, emotive power of abstract and primitivist styles, using pastel, pen, ink and dyes to capture a visceral and vintage sentiment. This collage swirls with dynamic energies, of fiery reds and earthy tones that defy conventional forms, evoking a sense of ancient and a touch of timelessness. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. Creating raw textures of pastel, paint and ink, exploring abstract forms and primitivist instincts. This piece embodies a vintage soul, telling stories of time and memory through its layered chaos and earthy tones. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics.
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