Jenny Davis
210 artworks

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Melbourne, Victoria. Australia., Australia
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Artwork Description

Acrylic on canvas, stretched and ready to hang.

Signed certificate of authenticity.

This artwork comes with an external frame

Wallmatter 9.

Artwork Exhibitions
2018 Spaces Below Yering Station Gallery, Curator Dr. Ewen Jarvis. Yarra Glen, Victoria Australia.
2016 Wallmatter The Memo, Curator Jade Bitar Regional Exhibitions, Vic. Australia
2020 Quite Complexity YAVA Gallery & Arts Hub. Victoria Australia

About
In this creation, I've melded the ruggedness of cement with the fluidity of acrylics to evoke raw emotion and capture ephemeral beauty in an abstraction. It's an exploration of texture and color, where minimalism meets depth, and the canvas becomes a battleground for serenity and chaos. This piece is meant to resonate with the viewer on an instinctual level, bringing a unique and thought-provoking ambiance to any space it inhabits.

Subject
Connections and contrasts of imperfections found in the urban environment, highlighting, insignificant marks, weathered surfaces and cast - offs. I am influenced by abandoned and derelict spaces, vacant industrial sites, structures, old walls, graffiti and decay.

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Medium

Professionally Framed. (Contemporary washed veneer wooden frame) Ready to hang with D-rings and wire. Acrylic paints, lime, sand, cement, waterproof sealer, on deep sided cotton canvas.

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

It comes with an external frame.

Framed dimensions - 36.22(W) x 48.03(H).

Artwork dimensions - 35.43(W) x 47.24(H).

Beach & Seascape Art, Landscape Art
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All art by Jenny Davis

Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. Using collage, acrylic, and ink, I represented the chaos and order of nature. My use of vintage news print gives it a sense of time, suggesting narratives buried in the past, yet bursting with relevance. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In creating this piece, I invoked the raw, emotive power of abstract and primitivist styles, using pastel, pen, ink and dyes to capture a visceral and vintage sentiment. This collage swirls with dynamic energies, of fiery reds and earthy tones that defy conventional forms, evoking a sense of ancient and a touch of timelessness. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. Creating raw textures of pastel, paint and ink, exploring abstract forms and primitivist instincts. This piece embodies a vintage soul, telling stories of time and memory through its layered chaos and earthy tones. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics.
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