Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — shown in a room setting Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — artist's signature Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — edge view Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — detail Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — shown hanging
Light, warm brown and ochre tones and textures. Sharp strips of abstract lines.
Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — shown in a room setting
Light, warm brown and ochre tones and textures. Sharp strips of abstract lines.
Light, warm brown and ochre tones and textures. Sharp strips of abstract lines.
Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — artist's signature
Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — edge view
Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — detail
Light, warm brown and ochre tones and textures. Sharp strips of abstract lines. — shown hanging
Painting by Jeremy Elkington 312 Artwork Sold

Lost in the Unknown

Oil, Canvas, Ready to hang

15.9in (W) x 19.9in (H) x 1.4in (D)

Certificate of Authenticity Included

Ready to hang

$640

Arrives 3–3 Oct

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Artwork Description

Influenced by listening to the album “Transmission” from The Tea Party. Evoking a sense of the mysterious, the ancient and desert landscapes.
To achieve the sharp bands of colour, the masking-off technique was used.
Both palette knives and brushes were used.

Ready to hang with strong wire/d-rings on the back.
Both brushes and a palette knife were used.
Sides of canvas are white.

Artist Bio
Photo of Jeremy Elkington
Jeremy Elkington 883 artworks | 274 Sold

Jeremy Elkington has been painting since 1995 and in 2002 achieved his Masters of Visual Arts (By Research) at Monash University. Since 1997 Jeremy has been exhibiting his work in group and solo exhibitions and regularly submitting his work in an array of art prizes across Australia. In 2009 he won 'Best Australian Landscape' at the Herald Sun Rotary Club of Camberwell Art Show and in both 2018 and 2022 was a semi-finalist in the Doug Moran Portrait Prize. At the core of much of Jeremy's artwork (especially in larger paintings) are desert landscapes, the ancient world (particularly Ancient Rome), ornament and abstraction. From 1997 to 2011 Arabic ornament and architectural elements (as well as the desert landscape) had been explored. Desert landscapes remain but Arabic art had been superseded by the armour, weaponry, ornament, architectural elements and sculpture of Ancient Rome. Within such works Jeremy aims to evoke a sense of the hidden narrative, the epic, the surreal, the ornamental, the archaic as well as beauty. Since 2013 Jeremy has also explored abstraction, abstract-expressionism, silhouettes, the Gothic, portraiture (particularly influenced by the work of Francis Bacon) space and depictions of film scenes. Jeremy has also been producing drawings whose range of subject matter reflects that within his paintings but, at times, has explored pattern and ornament to an intense degree.
Jeremy has sold artwork across Australia, New Zealand, UK and USA.

Commissions
Jeremy's studio is in Traralgon‚ VIC