This painting presents a head not as a coherent portrait, but as a structure of thought—an interior mapped through intersecting planes of brown, ochre, cream, and muted rose. Features flicker in and out of legibility, so that an eye or cheek dissolves into pure geometry, conveying identity as something fluid rather than fixed. Hard black outlines enforce structure while the brushwork within them remains soft and shifting, like memory or emotion resisting containment. Isolated against a white ground, the head feels both specimen and self-in-construction, a quiet study of how a person is assembled from fragments—half-formed impulses, reconfigured memories, internal contradictions. In one image, the work captures the fragile architecture of consciousness: unified from afar, unstable upon inspection.