Artwork Description

Oil on wood, ready to hang.

Signed on the front.

This artwork comes with an external frame

Benvenuto Cellini was a genius Sculptor, goldsmith and writer, and his designs influenced the time of the great Florence period of 16th Century Italy.

In 1990, hunting for objects to be included in my more important Still life compositions; I spotted this Victorian silver jug in an exclusive Sydney Antique shop. I recognized that it was made after a Cellini jug shown in a 17th century Italian painting. This particular one in my painting was made in the 1880’s in England. The ticket price was then already on the high side and I negotiated a price with part swap of one of my paintings.
It took me years before I had enough confidence to include it into one of my own still life compositions. In the painting shown here the jug is prominent, but not to the extent that it dominates, hence the marble column, lead-glass window and other such distractions.
The size demands an important place on the wall, and will look best in a foyer, entrance, an eclectic, or semi classic interior.

Contact Jos

Medium

Oil - On panel #1975

Free Shipping And Free Returns

Free and insured shipping United States-wide. Guaranteed free returns free pick-up service within 7 days of delivery. Read more.

Worldwide Shipping

Fully insured global shipping. Free returns apply within 7 days of delivery.

See international shipping costs.

Payment Plans

Artmoney company logoLayby company logo

Framed and ready to hang

This artwork is currently framed and ready to hang.

It comes with an external frame.

Framed dimensions - 33.86(W) x 40.16(H).

Artwork dimensions - 29.92(W) x 36.22(H).

#Still Life, #Oil, #Painting, #Master, #Dutch, #Artist, #Jos Kivits, #International, #Investment, #Art, #Australia, #New Zealand, #Class, #magnificent, #stunning, #Cellini

All art by Jos Kivits

The feeling of holding something in your hands that is hundred of years old, like the pewter and the ceramic Japanese vase, gives me a feeling of agelessness. It vibrates through my entire body and to spend weeks painting something like this climaxes to an explosion in my imagination. A painting of this calibre is and always will be an eye catcher when people realise it has not been created with shortcuts and tricks, but genuinely by discipline and artistry without smoke and mirrors. It is a work I cannot get away from as it is in my soul to paint what every eye can see without the help of any kind of trickery or Painted in 2005 and several times perfected and varnished over the years. This very work has never been exhibited, although one similar depicting different objects was revealed in Jos’ 2018 exhibition.

The style and technique is considered ‘Classical European’ and first exposed to Australia by some well-known earlier artists like Hans Heysen, Arthur Streeton, & Besie Davidson.
See Portfolio
from 15,741 reviews