The Azure Kingfisher is a small kingfisher with a long slender black bill and a short tail. The head, neck, upper parts and breast sides are deep azure blue with a violet (purplish) sheen. The neck has a distinctive orange stripe on each side and there is a small orange spot before each eye. The throat is pale orange-white, grading to orange-reddish on belly and undertail. The flanks and sides of the breast are washed purple to violet. The legs and feet are red. The sexes are similar. Young birds have a darker cap and are generally duller.
Azure Kingfisher (Alcedo azurea)
Ready to hang
Artwork Details
Medium | Acrylic, Canvas, Ready to hang |
Dimensions | 19.7in (W) x 15.8in (H) x 0.8in (D) |
18,968 Customer Reviews |
As a member of the Indigenous Art Code Bluethumb is proud to have established direct partnerships with some of Australia's most respected First Nation's artists and art centres.
Return it for free within 7 days
Artwork Description
Artist Bio
I was born in Cunnamulla, a town in southwestern Queensland, Australia. My yumba, or traditional home, is the land of the Barunggam tribe, one of the many Aboriginal groups that have lived in this region for thousands of years. Discover the Mystical World of Aboriginal Art
Uncover the Secrets of Aboriginal Art - Rich in Symbolism and Storytelling.
The rich tapestry of Aboriginal culture, woven with the vibrant threads of thousands of years of history, is a profound testament to the enduring spirit of Australia's Indigenous peoples. The Barunggam tribe, part of the expansive Wakka Wakka language group, has long been custodians of the land, sharing the Darling Downs with neighboring clans and groups, each with their own unique stories and traditions. These names—Barunggam, Keinjan, Giabal, Jarowair, Bigambal, Kambuwal, Jagara—resonate with the essence of identity, community, and belonging.
In the heart of this cultural mosaic, art emerges as a powerful form of expression, a bridge between past and present, a canvas where the Dreamtime stretches out its ancient roots and flourishes anew. For an artist born of this heritage, art is not merely a hobby; it is a sacred duty, a means of preserving and sharing the wisdom of ancestors. It is a voice for the silent whispers of the land, the stories of the Dreamtime that dance around the fire, igniting the imagination with tales of creation, spirituality, and the deep, abiding connection to the earth.
My drawing inspiration comes from the land of the Barunggam and the teachings of a wise grandad, I paint not just images, but emotions, memories, and the very soul of a people. There is no need for a specific theme when every brush stroke is a word in a life story, every color a note in a song of identity. The art created is a legacy, a message to the world that says, "This is who I am, this is where I come from, and this is the story I have to tell." It is a proud declaration of heritage, a celebration of culture, and a heartfelt tribute to the generations that have walked the land before.
In a world where the past often fades into the shadows of progress, such art stands as a beacon, reminding us all of the enduring power of tradition and the unbreakable bonds of community. It is a testament to the resilience of the human spirit and the timeless nature of storytelling through art. For those who come across these works, they offer a window into the soul of the Barunggam, the Wakka Wakka, and all the clans of the Darling Downs—a chance to see the world through the eyes of those who have cherished it for millennia.