Bush Medicine Leaves is a well-documented dreaming story painted by the women artists of Utopia in Central Australia. The flowing motion and undulating rhythm of the subject matter reflect the importance of bush medicine leaves to traditional Aboriginal culture. The bush medicine leaves are collected by the women and are highly prized for their restorative powers as part of traditional health practices. Bush medicine leaves derive from a particular native shrub that grows abundantly in the desert regions of Utopia, north-east of Alice Springs. During the life of the plant, the leaves change colour and exhibit different medicinal properties. When the leaves of the shrub are green they are gathered by the women and ground up using a stone. Then the medicine leaf compound is mixed with water to form a milky solution, which can be used to cure coughs, colds, and flu-like symptoms. Also, the medicine leaves can be collected and boiled to extract the resin, which is then mixed together with kangaroo fat. The paste that is created can be stored for six months in bush conditions. This resulting medicine can then be used to heal cuts, wounds, bites, rashes, and spread as an insect repellent. The bush medicine leaves can also be made into a mixture to apply to aching joints or to place on the temples to cure headaches. Like all aspects of traditional Aboriginal culture, knowledge of bush medicine has been passed down from generation to generation over thousands of years and is still being used today by the people of Utopia. By creating its image the artists encourage the regeneration of the bush medicine plant so that her people can continue to benefit from its healing powers.






BUSH MEDICINE LEAVES 2
Print Size
Ready to hang
Artwork Details
Medium | Canvas Print, Canvas, Ready to hang |
Dimensions | Printed to size: 15.8in (W) x 11.8in (H) x 2.2in (D) |
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Original Artwork's Description
Artist Bio
Artist Statement
I was born in Cunnamulla, a small town in southwestern Queensland, on the edge of Barunggam Country. My yumba—my traditional home—is the land of the Barunggam people, who, for thousands of years, have walked gently on this Country as part of the Wakka Wakka language group. Our connection to the Darling Downs runs deep, shared with neighbouring clans like the Keinjan, Giabal, Jarowair, Bigambal, Kambuwal, and Jagara—each with their own sacred stories, songs, and traditions.
As an Aboriginal artist, my work is more than a visual experience—it is a spiritual practice, a cultural responsibility, and a personal journey. My inspiration comes from the land, from our Dreaming, and from the teachings of my wise grandad. Through him, I learned that painting is not about aesthetics—it’s about storytelling. Every line, every dot, every colour carries emotion, memory, and meaning.
I do not paint to follow trends or fit into boxes. I paint from feeling and truth. My art is a language—spoken through ochre tones, deep blues, and patterns shaped by the rhythm of Country. It is how I honour my ancestors, how I keep our stories alive, and how I share our culture with the world.
Each piece I create is a declaration:
This is who I am. This is where I come from. This is my story.
Through my work, I hope to offer a glimpse into the soul of Barunggam Country, to connect others with the strength, beauty, and resilience of Aboriginal culture. My art is a tribute to the generations who walked before me—and a message to the generations still to come.