Artwork Description

Dinewan the emu, being the largest bird, was acknowledged as king by the other birds. Goomble-gubbon the turkey was jealous of Dinewan and would envy the high flight and swift running of Dinewan and this flaunting of his superiority never failed to iritate Goomble-gubbon. Goomble-gubbon decided he would put an end to Dinewan's supremacy. One day Goomble-gubbon saw Dinewan coming towards him so he squatted down and doubled up his wings in such a way as to look as if he had no wings. Goomble-gubbon then proceeded to convince Dinewan that the other birds would think that Goomble-gubbon was the cleverest bird when they see what he could do without his wings and would make Goomble-gubbon king. One day when Goomble-Gubbon saw in the distance Dinewan coming towards her she squatted down and doubled in her wings in such a way as to look as if she had none. She tricked the Emus into cutting off their wings. HA HA HA laughed the Turkey, jumping up and down with joy and said, "I have taken you in, old stumpy wings. I have my wings, yet you are so easily taken in, old stumpy wings"
Brooding over her wrongs, the Emu walked away, vowing she would be revenged. At length, the Emu thought of a plan, then she paraded past the Plain Turkey with her two young ones.
Goomble-Gubbon asked her why she only had two children and the Emu replied, "It is too hard to find food for twelve children, it is easy to feed only two." And straight away the plain turkey killed all but two of her children. "You cruel mother to kill your children, you greedy mother, why I have twelve children and I find food for all of them. I tricked you into doing that because you tricked me into cutting off my wings." And ever since that time, Emu has had no wings and the Plain Turkey has only laid two eggs in one season.

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Medium

High Quality Acrylic with Gloss Varnish on Cotton Canvas, Stretched ready to hang with painted sides

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Ready to hang

This artwork is ready to hang.

Tags#dhinawan, # dot painting, # CUNNAMULLA, # ACRYLIC WORK, # story telling, # Dreamtime, # aboriginal, # Dinewan, # emu, # Turkey, # Birds, # Australian Wildlife, # Kunja Wildlifeart, # eggs, # gift, # painting

As a member of the Indigenous Art Code Bluethumb is proud to have established direct partnerships with some of Australia's most respected First Nation's artists and art centres.

All art by Cynthia Farr Baruŋgam

Experience the rich symbolism and storytelling of Aboriginal art, and immerse yourself in the colorful visions of ancient Australia's mystical world, featuring the Bottle Brush Tree, or Callistemon.The artist has carefully chosen the colors for this piece, which reflect the natural hues found in Australian flora, specifically the Banksia, a genus that is native to the region. Banksia's unique form and coloration are exquisitely portrayed through the artist's expert application of mixed media. The textural qualities of the painting are further enhanced through the use of Liquitex Soft Gel.Embrace the Indigenous Creativity - Explore Aboriginal Art
This mixed media artwork on canvas is a profound expression of Indigenous creativity. It blends various materials and techniques to produce a piece rich in texture and depth. The artist's vibrant colors create a dynamic visual experience that captivates the senses. To enhance the artwork's aesthetic appeal, the artist used Liquitex Soft Gel, which increases gloss, depth, and transparency while enriching the paint's texture and finish. The artwork comes ready to display with its canvas stretched and a signed certificate of authenticity.Aboriginal art is a window into the rich tapestry of Indigenous Australian culture, embodying millennia of traditions and storytelling. The intricate layers of acrylics in such artwork not only add depth and texture but also symbolize the complex layers of history and spirituality that are intrinsic to Aboriginal life. The use of varnish not only protects the painting but also enhances the vibrancy of the colors, much like the resilience of the culture it represents. The inclusion of a wire for hanging and protective paper on the backside signifies the care and respect given to the artwork, ensuring its longevity for future generations to appreciate.
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