MY COUNTRY MY PEOPLE

Embrace the Indigenous Creativity - Explore Aboriginal Art
This stunning painting comes with a signed certificate of authenticity that verifies its uniqueness and value.
The painting features vibrant colours and layers of acrylics mixed with Liquitex Soft Gel, a medium that enhances the surface gloss, colour depth and transparency of the paint. The Liquitex Soft Gel also extends the colour range without affecting the acrylic stability. The layers of acrylics create a sense of depth and texture in the painting.
The painting is professionally finished with a wire stretched across the back and a protective paper covering the canvas on the backside. The certificate of authenticity is also attached to the back of the painting. Additionally, the painting includes a note that explains the story behind the artwork. The note describes the Aboriginal country where my mob originated from and the story of my life in the arts. I was raised around THE WARREGO, Cunnamuulla, Eulo Charleville, and their painting reflects their connection to their land and their people. The painting uses a variety of symbols to represent the artist's connection to her country. The handprints, for example, are a common motif in Aboriginal art and can represent the artist's ancestors or the people of her community. The spirals can represent the interconnectedness of all things, or the journey of life. The colours in the painting are also significant. Ochres are often used in Aboriginal art to represent the land, while white can represent purity or spirituality.
Overall, 'My Country My People' is a beautiful and powerful painting that tells the story of the artist's connection to her land and her people. It is a reminder of the long history and rich culture of Aboriginal Australia."

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Artist Statement
I was born in Cunnamulla, a small town in southwestern Queensland, on the edge of Barunggam Country. My yumba—my traditional home—is the land of the Barunggam people, who, for thousands of years, have walked gently on this Country as part of the Wakka Wakka language group. Our connection to the Darling Downs runs deep, shared with neighbouring clans like the Keinjan, Giabal, Jarowair, Bigambal, Kambuwal, and Jagara—each with their own sacred stories, songs, and traditions.

As an Aboriginal artist, my work is more than a visual experience—it is a spiritual practice, a cultural responsibility, and a personal journey. My inspiration comes from the land, from our Dreaming, and from the teachings of my wise grandad. Through him, I learned that painting is not about aesthetics—it’s about storytelling. Every line, every dot, every colour carries emotion, memory, and meaning.

I do not paint to follow trends or fit into boxes. I paint from feeling and truth. My art is a language—spoken through ochre tones, deep blues, and patterns shaped by the rhythm of Country. It is how I honour my ancestors, how I keep our stories alive, and how I share our culture with the world.

Each piece I create is a declaration:
This is who I am. This is where I come from. This is my story.

Through my work, I hope to offer a glimpse into the soul of Barunggam Country, to connect others with the strength, beauty, and resilience of Aboriginal culture. My art is a tribute to the generations who walked before me—and a message to the generations still to come.