MY COUNTRY MY PEOPLE 3

Marvel at the Expressive Aboriginal Art - A Vision of the Ancient Heritage
I have meticulously crafted this artwork using vibrant colors, incorporating layers of acrylics mixed with Liquitex Soft Gel. The gel medium serves multiple purposes, enhancing both texture and translucency in my work. By adding it to my paints, I achieve a more professional finish, increasing volume without compromising quality. The resulting surface boasts a satin or matte finish, depending on the desired effect. Additionally, this gel thickens the paint, allowing for deeper brush strokes and creating a sense of depth within the artwork.
This is a detailed and colorful artwork that depicts a scene from the Aboriginal Australian culture. I have used pointillism, a technique that involves painting with tiny dots, to create a rich and textured effect. The painting shows a river, trees, and hills, representing the connection between the land and the people. The artwork is protected by a satin gloss and has painted sides. It also comes with a certificate of authenticity and a wire for hanging. The title of the painting is "My Country My People 3”. To authenticate this piece, I've attached a certificate of authenticity that outlines the story behind my art. It delves into my connection with my country and my people painting inspiration from the Aboriginal lands where I was raised—specifically around THE WARREGO Cunnamuulla Eulo and Charleville

Follow

Artist Statement
I was born in Cunnamulla, a small town in southwestern Queensland, on the edge of Barunggam Country. My yumba—my traditional home—is the land of the Barunggam people, who, for thousands of years, have walked gently on this Country as part of the Wakka Wakka language group. Our connection to the Darling Downs runs deep, shared with neighbouring clans like the Keinjan, Giabal, Jarowair, Bigambal, Kambuwal, and Jagara—each with their own sacred stories, songs, and traditions.

As an Aboriginal artist, my work is more than a visual experience—it is a spiritual practice, a cultural responsibility, and a personal journey. My inspiration comes from the land, from our Dreaming, and from the teachings of my wise grandad. Through him, I learned that painting is not about aesthetics—it’s about storytelling. Every line, every dot, every colour carries emotion, memory, and meaning.

I do not paint to follow trends or fit into boxes. I paint from feeling and truth. My art is a language—spoken through ochre tones, deep blues, and patterns shaped by the rhythm of Country. It is how I honour my ancestors, how I keep our stories alive, and how I share our culture with the world.

Each piece I create is a declaration:
This is who I am. This is where I come from. This is my story.

Through my work, I hope to offer a glimpse into the soul of Barunggam Country, to connect others with the strength, beauty, and resilience of Aboriginal culture. My art is a tribute to the generations who walked before me—and a message to the generations still to come.