Cynthia Farr Baruŋgam
277 artworks

LABRADOR GOLD COAST, Australia
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Artwork Description

Acrylic on canvas, stretched and ready to hang.

Signed certificate of authenticity.

This painting has many layers of built up acrylics with a high quality varnish and painted sides it comes with a wire stretched across the back and the canvas on the backside is taped up with protective paper also with a certificate of authenticity with is adhered to the back of the artwork
With a note describing the storyline of the Aboriginal country where my mob was originally from and my story of my life in the arts This artwork took me hours to complete with lots of love regarding my family heritage
Acrylic on canvas stretched and ready to hang.
Signed certificate of authenticity.
Cunnamulla Eulo Thadgominda Charleville are all in SOUTHWESTERN QLD which is My Mothers Country

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Medium

High Quality Acrylics with Gloss Varnish on Cotton Canvas, Stretched ready to hang with painted sides FRAME NOT INCLUDED READY TO HANG WITH A CERTIFICATE OF AUTHENTICITY

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Stretched and ready to hang

This artwork is currently stretched and ready to hang.

More art from MY COUNTRY KUNJA ... series

This artwork is inspired by the Cunnamulla Aboriginal culture, which comprises five different tribes: the Kunja people, who are the traditional owners of the Cunnamulla area, and the Kooma, Budjiti, Mardigan, and Kullilli people. This artwork is a tribute to the rich and diverse Aboriginal culture of Cunnamulla, a town in the outback of Queensland, Australia."MY COUNTRY MY PEOPLE," it is personal work for me. This painting describes the storyline of the Aboriginal country where my mob is from, as well as the story of my life in the arts. This suggests that the painting is a way for the me to connect with my heritage and culture. The use of colour and movement in the painting is also evocative of Aboriginal Australian art.Discover the Mystical World of Aboriginal Art Uncover the Secrets of Aboriginal Art - Rich in Symbolism and Storytelling The artwork described seems to be a rich tapestry of vibrant colours and textures, achieved through the layering of acrylics mixed with Liquitex Soft Gel.

All art by Cynthia Farr Baruŋgam

The cultural landscape of Cunnamulla is a vibrant mosaic, where the ancient traditions of the Warrego River, paralleling the story of Cunnamulla, stand as a testament to both constancy and transformation, mirroring the town's evolution from its ancient origins to its current role as a center of commerce and culture.Aboriginal art serves as a portal to Australia's essence, narrating the tales of the Dreamtime, the revered epoch of creation in Aboriginal mythology. The Balaang Healing initiative captures this essence, merging the visual magnificence of art with the deep-rooted cultural traditions of healing and community.Dreamtime stories are central to Aboriginal spirituality and identity. Tales such as the Seven Sisters Jukurrpa are not merely myths; they are affirmations of a vibrant culture and the laws that dictate social relationships within Aboriginal communities.The Dreamtime Serpent, pivotal in Aboriginal mythology, symbolizes the interconnection of life and the environment, a concept that profoundly echoes in our current era as we strive to comprehend our role in the natural world.
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