Artwork Description

“Spirit of the Waterholes”
For Aboriginal people of the desert, the Rainbow Serpent lives in the waterholes of their country, and travels between them, either under the ground or in the storm clouds when a rainstorm is moving. His presence brings on the rains and if he is offended he can prevent the rains and cause drought or inundations that cause people to perish.
In the Dreamtime, rainstorm all earth lay sleeping. Nothing moved. Nothing grew. One day the Rainbow Serpent awoke from her slumber and came out from under the ground.
She traveled far and wide and eventually grew tired and curled up and slept. She left marks of her sleeping body and her winding tracks. Then she returned to the place where she had first appeared, and called to the frogs, “Come out!”
The frogs came out slow because their bellies were heavy with water, which they had stored in their sleep. The Rainbow serpent tickled their stomachs and when the frogs laughed, water ran all over the earth to fill the tracks of the Rainbow serpents’ wanderings. This is how lakes and rivers were formed.
With water, grass and trees sprang up. Also, all animals awoke and followed the rainbow serpent across the land. They were happy on earth and each lived and gathered food with his own tribe. Some animals live in rocks, others on the plains and others in trees and in the air.
The Rainbow Serpent made laws that they all were to obey, but some became quarrelsome and made trouble. The Rainbow Serpent said,” Those who keep my laws will be rewarded; I shall give them human form. Those who break my laws will be punished and turned to stone, never to walk the earth again.
The lawbreakers became stone and turned to mountains and hills, but those who kept the laws were turned into human form. The Rainbow Serpent gave each of them their own totem of the animal, bird or reptile from whence they came. The tribes knew themselves by their totems. Kangaroo, emu, carpet snake, and many, many more. So no one would starve, the Rainbow Serpent ruled that no man should eat of his totem, but only of other totems. This way there was food for everyone.
The tribes lived together on the land given to them by the Rainbow Serpent or Mother of Life and knew the land would always be theirs, and no one should ever take it from them.

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Medium

High Quality Acrylics with Gloss Varnish on Cotton Canvas, Stretched ready to hang with painted sides FRAME NOT INCLUDED READY TO HANG WITH A CERTIFICATE OF AUTHENTICITY

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Tags#RAINBOW SERPENT, # CUNNAMULLOA, # KUNJAWILDLIFEART, # TOTEM, # TRIBES, # FROGS, # RAIN, # WATER, # LIFE, # DREAMTIME, # INDIGENOUS ART

As a member of the Indigenous Art Code Bluethumb is proud to have established direct partnerships with some of Australia's most respected First Nation's artists and art centres.

All art by Cynthia Farr Baruŋgam

Experience the rich symbolism and storytelling of Aboriginal art, and immerse yourself in the colorful visions of ancient Australia's mystical world, featuring the Bottle Brush Tree, or Callistemon.The artist has carefully chosen the colors for this piece, which reflect the natural hues found in Australian flora, specifically the Banksia, a genus that is native to the region. Banksia's unique form and coloration are exquisitely portrayed through the artist's expert application of mixed media. The textural qualities of the painting are further enhanced through the use of Liquitex Soft Gel.Embrace the Indigenous Creativity - Explore Aboriginal Art
This mixed media artwork on canvas is a profound expression of Indigenous creativity. It blends various materials and techniques to produce a piece rich in texture and depth. The artist's vibrant colors create a dynamic visual experience that captivates the senses. To enhance the artwork's aesthetic appeal, the artist used Liquitex Soft Gel, which increases gloss, depth, and transparency while enriching the paint's texture and finish. The artwork comes ready to display with its canvas stretched and a signed certificate of authenticity.Aboriginal art is a window into the rich tapestry of Indigenous Australian culture, embodying millennia of traditions and storytelling. The intricate layers of acrylics in such artwork not only add depth and texture but also symbolize the complex layers of history and spirituality that are intrinsic to Aboriginal life. The use of varnish not only protects the painting but also enhances the vibrancy of the colors, much like the resilience of the culture it represents. The inclusion of a wire for hanging and protective paper on the backside signifies the care and respect given to the artwork, ensuring its longevity for future generations to appreciate.
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