THE KUNJA

Verified Artist Certificate of Authenticity Included
$890

Artwork Details

Medium Acrylic, Ready to hang
Dimensions 35.8in (W) x 23.6in (H) x 3.9in (D)
Review Stars 21,257 Customer Reviews

Indigenous Art Code

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Artwork Description

Cunnamulla Aboriginal Culture – Tribes
The Cunnamulla Aboriginal culture includes five different tribes that are made up of Kunja people, who are the traditional owners of the Cunnamulla area Kooma, Budjiti, Mardigan, and Kullilli people.
The Kunja Aboriginal people are the descendants of Killamunda (including her children Margaret Turner (Granny McKellar), Annie/Nannie Widgell and Jack Brennan), Flora Maranoa, Maria Major (including her children Jack Oliffe, Ron Wyman, Walter Wyman and Lily Lynett) and Jimmy Nyngan. Kunja Aboriginal elders will perform the welcome to country ceremony at the start of Cully Fest on the Warrego. This location was chosen due to its significance to the Aboriginal culture within Cunnamulla as well as being a place where all members of the community treasure and enjoy as part of outback culture and every day life.
The Kooma people are those Aboriginal people who are descended from one or more of the following people, Maggie of Bendena, Kitty of Bollon, Sarah of Fernlee, Mary Button of Murra Murra, Susan Mitchell, Annie Murray, Julia Powell, Lucy Sheridan.

Artist Bio

Artist Statement
I was born in Cunnamulla, a small town in southwestern Queensland, on the edge of Barunggam Country. My yumba—my traditional home—is the land of the Barunggam people, who, for thousands of years, have walked gently on this Country as part of the Wakka Wakka language group. Our connection to the Darling Downs runs deep, shared with neighbouring clans like the Keinjan, Giabal, Jarowair, Bigambal, Kambuwal, and Jagara—each with their own sacred stories, songs, and traditions.

As an Aboriginal artist, my work is more than a visual experience—it is a spiritual practice, a cultural responsibility, and a personal journey. My inspiration comes from the land, from our Dreaming, and from the teachings of my wise grandad. Through him, I learned that painting is not about aesthetics—it’s about storytelling. Every line, every dot, every colour carries emotion, memory, and meaning.

I do not paint to follow trends or fit into boxes. I paint from feeling and truth. My art is a language—spoken through ochre tones, deep blues, and patterns shaped by the rhythm of Country. It is how I honour my ancestors, how I keep our stories alive, and how I share our culture with the world.

Each piece I create is a declaration:
This is who I am. This is where I come from. This is my story.

Through my work, I hope to offer a glimpse into the soul of Barunggam Country, to connect others with the strength, beauty, and resilience of Aboriginal culture. My art is a tribute to the generations who walked before me—and a message to the generations still to come.