Artwork Description

Back in the beginning, when Baiame, the sky spirit walked the earth, he moulded two men and a woman out of the red earth of the ridges and brought them to life. Before he continued on his way, Baiame showed them all the plants that they could eat to keep life.
For some time they lived on such plants as had been shown by Baiame and then came a drought and the plants grew scarce. One day the 2nd man killed a kangaroo and he and the woman ate some of its flesh but the 1st man would not eat this meat although he was very hungry and weak.
Annoyed at the 2nd man and woman for this, the 1st man walked away angrily towards the sunset. He went over sandhills and ridges until he reached a riverbank near the edge of a coolibah plain. After the 2nd man and woman finished eating they went searching for their mate and found him lying dead on the other side of the river under a huge white gum tree [yaraan]. As he lay there they saw beside him a black figure, Yowi - the spirit of death with his 2 large fiery eyes who lifted their mate up and dropped him in the tree's hollow centre.
Then came a terrific burst of thunder as the tree with fiery eyes gleaming was lifted from the earth heading towards the southern sky. Suddenly a loud screeching noise broke the stillness and 2 yellow crested white cockatoos called Mooyi flew after the spirit tree as this white gum tree was their roosting place on earth. The spirit tree finally planted itself near the Warrambool [Milky Way] that leads to where the sky spirits live.
The 2nd man and woman watched in disbelief as the spirit tree in the sky disappeared from view. They could now only see 4 fiery eyes shining out. Two were the eyes of Yowi - the spirit of death and the other two were the eyes of their mate - the first man to die.
Nature then realized that the passing of this man meant that death had come into the world. Much sadness and wailing were everywhere. The swamp oak trees sighed incessantly and the gum trees shed tears of blood which crystallized into red gum.
To this day the Southern Cross is known as Yaraan-doo the place of the white gum-tree and the pointers are called Mooyi, the white cockatoos. So is the first coming of death remembered by the tribes to whom the Southern Cross is a reminder?

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Medium

High Quality Acrylics with Gloss Varnish on Cotton Canvas, Stretched ready to hang with painted sides FRAME NOT INCLUDED READY TO HANG WITH A CERTIFICATE OF AUTHENTICITY

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Tags#SOUTHERN CROSS, # SEVEN SISTERS, # SPIRIT SKY, # KANGAROO, # THUNDER, # LIGHTENING, # MILKY WAY

As a member of the Indigenous Art Code Bluethumb is proud to have established direct partnerships with some of Australia's most respected First Nation's artists and art centres.

All art by Cynthia Farr Baruŋgam

The artist has carefully chosen the colors for this piece, which reflect the natural hues found in Australian flora, specifically the Banksia, a genus that is native to the region. Banksia's unique form and coloration are exquisitely portrayed through the artist's expert application of mixed media. The textural qualities of the painting are further enhanced through the use of Liquitex Soft Gel.Embrace the Indigenous Creativity - Explore Aboriginal Art
This mixed media artwork on canvas is a profound expression of Indigenous creativity. It blends various materials and techniques to produce a piece rich in texture and depth. The artist's vibrant colors create a dynamic visual experience that captivates the senses. To enhance the artwork's aesthetic appeal, the artist used Liquitex Soft Gel, which increases gloss, depth, and transparency while enriching the paint's texture and finish. The artwork comes ready to display with its canvas stretched and a signed certificate of authenticity.Aboriginal art is a window into the rich tapestry of Indigenous Australian culture, embodying millennia of traditions and storytelling. The intricate layers of acrylics in such artwork not only add depth and texture but also symbolize the complex layers of history and spirituality that are intrinsic to Aboriginal life. The use of varnish not only protects the painting but also enhances the vibrancy of the colors, much like the resilience of the culture it represents. The inclusion of a wire for hanging and protective paper on the backside signifies the care and respect given to the artwork, ensuring its longevity for future generations to appreciate.
The use of acrylic paints allows artists to express cultural identity boldly. Each stroke and color choice resonates with the spirit of the land and its people. The dynamic composition of such a painting reflects the complex relationship between the artist and their heritage, a dance of vibrant hues and textures that brings to life the stories and ceremonies passed down through generations. The glossy varnish finish not only protects the artwork but also enhances the depth and intensity of the colors, making each element stand out in sharp relief against the canvas.
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