THE THREE SISTERS

"THE THREE SISTERS " Long ago in the Blue Mountains there lived three little Aboriginal sisters. They were Meenhi, Wimlah and Gunnedoo, whose Witch Doctor father was called Tyawan.
Only one creature was feared by all the Bunyip who lived in a deep hole. When Tyawan had to pass the hole, he would leave his daughters safely on the cliff behind a rocky wall. One day, waving goodbye to his daughters, he descended the cliff steps. On top of the cliff a big centipede suddenly appeared and frightened Meehni, who threw a stone at it. The stone rolled over the cliff and crashed into the valley.
Birds, animals and fairies stopped till as the rocks behind the three sisters split open, leaving them on a thin ledge.
The angry Bunyip emerged to see the terrified sisters. In the valley, Tyawan saw the Bunyip close to his daughters, so he pointed his magic bone at the girls and turned them to stone. The Bunyip then chased Tyawan, who found himself trapped, so he changed himself into a Lyre Bird. Everyone was safe, but Tyawan had dropped his magic bone. After the Bunyip had gone, Tyawan searched and searched for his bone and he is still searching.
The Three Sisters stand silently watching him from their ledge, hoping he will find the bone to turn them back to Aboriginal girls.
As you look at the Three Sisters, you can hear Tyawan the Lyre Bird calling his daughters as his search for the lost bone continues.

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Artist Statement
I was born in Cunnamulla, a small town in southwestern Queensland, on the edge of Barunggam Country. My yumba—my traditional home—is the land of the Barunggam people, who, for thousands of years, have walked gently on this Country as part of the Wakka Wakka language group. Our connection to the Darling Downs runs deep, shared with neighbouring clans like the Keinjan, Giabal, Jarowair, Bigambal, Kambuwal, and Jagara—each with their own sacred stories, songs, and traditions.

As an Aboriginal artist, my work is more than a visual experience—it is a spiritual practice, a cultural responsibility, and a personal journey. My inspiration comes from the land, from our Dreaming, and from the teachings of my wise grandad. Through him, I learned that painting is not about aesthetics—it’s about storytelling. Every line, every dot, every colour carries emotion, memory, and meaning.

I do not paint to follow trends or fit into boxes. I paint from feeling and truth. My art is a language—spoken through ochre tones, deep blues, and patterns shaped by the rhythm of Country. It is how I honour my ancestors, how I keep our stories alive, and how I share our culture with the world.

Each piece I create is a declaration:
This is who I am. This is where I come from. This is my story.

Through my work, I hope to offer a glimpse into the soul of Barunggam Country, to connect others with the strength, beauty, and resilience of Aboriginal culture. My art is a tribute to the generations who walked before me—and a message to the generations still to come.