"THE THREE SISTERS " Long ago in the Blue Mountains there lived three little Aboriginal sisters. They were Meenhi, Wimlah and Gunnedoo, whose Witch Doctor father was called Tyawan.
Only one creature was feared by all the Bunyip who lived in a deep hole. When Tyawan had to pass the hole, he would leave his daughters safely on the cliff behind a rocky wall. One day, waving goodbye to his daughters, he descended the cliff steps. On top of the cliff a big centipede suddenly appeared and frightened Meehni, who threw a stone at it. The stone rolled over the cliff and crashed into the valley.
Birds, animals and fairies stopped till as the rocks behind the three sisters split open, leaving them on a thin ledge.
The angry Bunyip emerged to see the terrified sisters. In the valley, Tyawan saw the Bunyip close to his daughters, so he pointed his magic bone at the girls and turned them to stone. The Bunyip then chased Tyawan, who found himself trapped, so he changed himself into a Lyre Bird. Everyone was safe, but Tyawan had dropped his magic bone. After the Bunyip had gone, Tyawan searched and searched for his bone and he is still searching.
The Three Sisters stand silently watching him from their ledge, hoping he will find the bone to turn them back to Aboriginal girls.
As you look at the Three Sisters, you can hear Tyawan the Lyre Bird calling his daughters as his search for the lost bone continues.
THE THREE SISTERS
Artwork Details
Medium | Oil, Ready to hang |
Dimensions | 35.8in (W) x 24in (H) x 3.9in (D) |
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Artwork Description
Artist Bio
I was born in Cunnamulla, a town in southwestern Queensland, Australia. My yumba, or traditional home, is the land of the Barunggam tribe, one of the many Aboriginal groups that have lived in this region for thousands of years. Discover the Mystical World of Aboriginal Art
Uncover the Secrets of Aboriginal Art - Rich in Symbolism and Storytelling.
The rich tapestry of Aboriginal culture, woven with the vibrant threads of thousands of years of history, is a profound testament to the enduring spirit of Australia's Indigenous peoples. The Barunggam tribe, part of the expansive Wakka Wakka language group, has long been custodians of the land, sharing the Darling Downs with neighboring clans and groups, each with their own unique stories and traditions. These names—Barunggam, Keinjan, Giabal, Jarowair, Bigambal, Kambuwal, Jagara—resonate with the essence of identity, community, and belonging.
In the heart of this cultural mosaic, art emerges as a powerful form of expression, a bridge between past and present, a canvas where the Dreamtime stretches out its ancient roots and flourishes anew. For an artist born of this heritage, art is not merely a hobby; it is a sacred duty, a means of preserving and sharing the wisdom of ancestors. It is a voice for the silent whispers of the land, the stories of the Dreamtime that dance around the fire, igniting the imagination with tales of creation, spirituality, and the deep, abiding connection to the earth.
My drawing inspiration comes from the land of the Barunggam and the teachings of a wise grandad, I paint not just images, but emotions, memories, and the very soul of a people. There is no need for a specific theme when every brush stroke is a word in a life story, every color a note in a song of identity. The art created is a legacy, a message to the world that says, "This is who I am, this is where I come from, and this is the story I have to tell." It is a proud declaration of heritage, a celebration of culture, and a heartfelt tribute to the generations that have walked the land before.
In a world where the past often fades into the shadows of progress, such art stands as a beacon, reminding us all of the enduring power of tradition and the unbreakable bonds of community. It is a testament to the resilience of the human spirit and the timeless nature of storytelling through art. For those who come across these works, they offer a window into the soul of the Barunggam, the Wakka Wakka, and all the clans of the Darling Downs—a chance to see the world through the eyes of those who have cherished it for millennia.