This is part of a new series of work I'm slowly creating, as yet unnamed but I've been jokingly dubbing it 'Ukiyo-e without the wood'. Unlike the more airy Sumi-e paintings, I'm more interested in the rigid outlines of Japanese woodblock prints, but these are unique original paintings.
For materials, I use Sumi-e ink, watercolours, and in some instances, the Japanesque line of acrylic gouache which mimics textures used in traditional Japanese paints.
The idea behind this series is the focus on both subject and background, where every line is intentional and thought out.