Drifting III

Drifting II by Marijke Lambregtse is the third (first and second one found it’s forever home) powerful, thick layered artwork I made on the subject of Lembongan Island. I do love these paintings a lot especially because of the layering and collage of old stamps, letters and parts of this poem ‘Seaweed’ by Henry Wadsworth Longfellow I used in these works. The cultivation of seaweed on Lembongan island is still very strong and a great source of income for the local population especially when things like COVID happened and there are no tourists so at least they can go back to what original their way of living was which is great. I loved the little original wooden boats and happy to see them as the speed boats are all over the place which is disturbing the sea life, a major pollutant for the coral of which sadly is not much left (hence the beautiful orange pigment I used) as well as a noise pollution and very frustrating. It’s still a beautiful island and you can sit for hours watching the gathering and planting of seaweed especially during the sunset. As usual in my latest works you can find the little guardian…
Ready to hang and signed on the back with a certificate of authenticity

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‘A work is born from a kind of confused emotion. The work is an attempt to elucidate that emotion.’ Puvis de Chavannes

‘An abstract language that reveals references to an aesthetic figuration with a surreal flavour. This is the art of Marijke Lambregtse, an Australian based contemporary artist of Dutch origin, who focuses her artistic research on the relationship between man and the world, in its most hidden aspects. Her paintings are often characterized by the presence of human-like figures, whose facial features vanish overwhelmed by fields of colour, annihilating gestural communication and leaving the latter in complete control of emotions.

An alternation of more gestural brushstrokes and more detailed and sharply described elements, give the work a pleasant dynamism. Looking at Marijke Lambregtse's paintings, we feel out of place, in awe, as if we have crossed the threshold into another world and we are suddenly strangers. (Francesca Brunello)

Her recent abstract figurative works arise from a growing eco-anxiety and a critical concern for the state of the world today. Shaped by direct encounters with climate change, pollution, displacement, and environmental injustice, the work responds to systems that prioritise profit, control, and exploitation over care and coexistence. She seeks to harmoniously merge message and aesthetics, using emotionally charged strikingly colorful, acrylic paint, recycled materials, text, and texture to confront viewers with both beauty and unease.

A professional dancer, teacher and choreographer before crossing over to studying visual art and gaining a BVA majoring in sculpture at Griffith University in Brisbane she was awarded the Karl and Gertrude Langer Award which resulted in a solo exhibition at the Brisbane Town Hall gallery.

Since then she has been exhibiting regularly with several solo exhibitions, being a finalist in numerous art awards and has been widely collected in Australia and overseas.

Brunswick Street Gallery Small Works Art Prize 2026
Lethbridge 2025 Small Scale Art Prize salon finalist
Finalist Abstraction Exhibition Petrie Terrace Gallery 2025/2024
Finalist in Lethbridge 2024/2023 Small Scale Art Awards Salon de Refusés
Finalist in the Brisbane Rotary Art Show 2024/2023
Finalist in the Brisbane Portrait Prize Salon des Refugees 2022
Finalist in the RQAS annual Exhibition 2023
Finalist in the Amore exhibition at Artprenr Gallery 2023
Finalist in the Queensland Figurative 2022
Finalist in the Lethbridge 20000 Small Scale Art Award in 2022, 21, 20 and 2019
Awarded the Power of Creativity Art Prize by Contemporary Curator Art Magazine in 2021
Highly Commended in the Abstraction Exhibition Royal Queensland Art Society 2021
Finalist in the Rotary Spectacular Brisbane in 2019 and 2018