Bleeding Heart

This painting includes the following:
Brown Cuckoo Dove, Bleeding Heart Tree and some Blue Pie Dish Beetles along with some other beetles. I was inspired to paint this when I spotted a Brown Cuckoo Dove in one of our Bleeding Heart trees near my bedroom window. It was a treat soaking up the sun and spotting this bird. It cheered me up, I have included some seeds and fruit of the Bleeding Heart tree and the Blue Pie Dish beetles were added because I thought they would be a great contrast. It includes some Bronze painted metallic areas and alot of patterns including some little hearts.
This painting is an ongoing inspiration of the connectiveness of environmental systems. Inspired by the beauty of creatures attracted to my home in Northern NSW.
This artwork is on a stretched deep edged good quality cotton canvas and it has been painted on the sides.

This painting is already stretched and ready to hang.

Certificate of Authenticity will be included with the artwork.

This painting has been custom professionally framed with real wood that complements the painting. A darker wood frame has been chosen to suit the painting. Framing was performed by a local professional framer in exhibition condition.

This painting is varnished for protection with Satin varnish, including the sides.

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Naomi Malone Artist Biography
Naomi Malone is an artist based in Lismore NSW, renowned for her distinctive decorative style that draws deeply from the rich textures and vibrant colours of Australian native flora and fauna. Holding a Diploma of Visual Arts, Naomi has a unique perspective that bridges her artistic practice with a career in the science field, enriching her work with a profound understanding of natural systems.
Naomi’s artwork is characterized by its bold use of colour and intricate patterns inspired by the native plants and animals that fascinate her. Her style is notably influenced by the ornate patterns and vibrant palette of Gustav Klimt, the lush, exotic scenes of Henri Rousseau, and the flowing, decorative lines of Alphonse Mucha. She approaches her work with the belief that the backgrounds of her pieces are as crucial as the foregrounds, encouraging viewers to engage in a detailed, contemplative examination of her art. This dedication to the nuanced elements of her compositions reflects her view of painting as a meditative and therapeutic practice.