Landscape Artist from Darhwal land, Sutherland Shire, southern Sydney , Australia
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Artwork Description

Oil on wood, ready to hang.

Signed on the front.

This artwork comes with an external frame

This sweet little original work shows the end of the historic boat shed at Audley on the Port hacking River . In the Royal National Park,. The Royal National Park always inspires me. This piece ended up full of mauves and very impressionistic brushstrokes.

Expressively painted with every brushstroke purposeful yet relaxed.

The artwork is oil on primed wood board, and comes professionally framed in natural oak. it is a mini landscape, also know as table art which can be hung or placed on a side table or shelf.

The perfect size for a gift, and is light weight and unbreakable.

I have been a professional visual artist for over 30 years and I use the highest quality materials. I use Art Spectrum and Gamblin paints and mediums and each work is a completed with passion for the stunning Australian landscape.

Add to or begin your family’s original art collection. A gift to yourself or a loved one that will last a lifetime.

Please don’t copy, reproduce or reuse images for your own purposes. All images are copyright.

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Medium

Oil on primed wood panel, framed in oak

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Framed and ready to hang

This artwork is currently framed and ready to hang.

It comes with an external frame.

Framed dimensions - 8.66(W) x 8.66(H).

Artwork dimensions - 7.87(W) x 7.87(H).

All art by Nicole Southworth

The Royal national Park always inspires me. This piece ended up full of gelato-styles pastel colours.  For this from the area , it is the view looking east along the Port Hacking River from the Audley Weir.  The reward at the end of the track is a great view back to Cronulla. Expressively painted with every brushstroke purposeful yet at ease.  The gum trees on a grassy patch are in the foreground and the bush filled mountain or hillside are in the distance with the light hitting the trees of the national park. THe blue Port Hacking River lies between the two with reflections in green. Colours dominant are green pink, pale blue, mauve and the stunning white trunks of Amstralian eucalypt gum trees. 

The artwork is oil on primed wood board, and comes professionally framed in natural oak. A lovely soft calm artwork, using pastels and impressionistic brush strokes to give beautiful movement in the trees and shadows on the sand. This was taken as the last light of the afternoon setting over the Port Hacking River as seen from the small beach at Swallow Rock, Grays Point.  The light and the shadow of the rising hill was stunning. The Royal National Park  was painted using brush strokes in a way that is inspired by the great Australian impressionist painters, with particular emphasis on the captivating white trunks of the eucalyptus gum trees, so iconic in the Australian Bush.  One of my favourite aspects of the work is the little gum trees (in reality they are huge!) painted on top of the hill (see detail images). 

I am passionate about the Australian landscape and I have been painting professionally for 30 years.  I hope this artwork conveys the joy I get from painting our land and attempting to captivate its beauty.


There is something quite special about walking the Esplanade at Cronulla on a dark overcast day and watching an ocean that is alive with movement.

I find the incredible colours of the shoreline foliage are intensified when damp on a day with no sun shining. So many purples, rusty reds, oranges and pinks jumped out at me.  I really loved painting this one, the looseness and carefree approach with the paintbrush was so enjoyable, and I think it’s one of my first grey day moody pieces.  
I love the winswept tree and ocean side shrubbery and great rocks look as if they are falling down to the sea.A street scene of the Strand, the main road through Croydon village. It shows the distinctive old post office which are prominent and iconic through many suburbs of the inner west of Sydney. The afternoon sun creates strong shadows off the two storey building of the street. To the left, a pair of a much longer row of palm trees frame the scene.
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