Landscape Artist from Darhwal land, Sutherland Shire, southern Sydney , Australia
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Artwork Description

Oil on wood, ready to hang.

Signed on the front.

This artwork comes with an external frame

43cm x 73cm

Oil on Wood Board

An original oil of the village of Croydon in Sydney’s Inner West. Taken from a photograph that I took one afternoon as the light and the shadows were beautiful!

A street scene of the Strand, the main road through Croydon village. It shows the distinctive old post office l, which are prominent and iconic through many suburbs of the inner west of Sydney. The afternoon sun creates strong shadows off the two storey buildings of the street. To the left, a pair of a much longer row of palm trees frame the scene.

This original artwork will last a lifetime.

The size of the actual board inside the frame is 40cm x 70cm.

Price includes professional framing in natural oak.

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Medium

Oil on wood board

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Framed and ready to hang

This artwork is currently framed and ready to hang.

It comes with an external frame.

Framed dimensions - 28.74(W) x 16.93(H).

Artwork dimensions - 27.56(W) x 15.75(H).

All art by Nicole Southworth

The Royal national Park always inspires me. This piece ended up full of gelato-styles pastel colours.  For this from the area , it is the view looking east along the Port Hacking River from the Audley Weir.  The reward at the end of the track is a great view back to Cronulla. Expressively painted with every brushstroke purposeful yet at ease.  The gum trees on a grassy patch are in the foreground and the bush filled mountain or hillside are in the distance with the light hitting the trees of the national park. THe blue Port Hacking River lies between the two with reflections in green. Colours dominant are green pink, pale blue, mauve and the stunning white trunks of Amstralian eucalypt gum trees. 

The artwork is oil on primed wood board, and comes professionally framed in natural oak. There is something quite special about walking the Esplanade at Cronulla on a dark overcast day and watching an ocean that is alive with movement.

I find the incredible colours of the shoreline foliage are intensified when damp on a day with no sun shining. So many purples, rusty reds, oranges and pinks jumped out at me.  I really loved painting this one, the looseness and carefree approach with the paintbrush was so enjoyable, and I think it’s one of my first grey day moody pieces.  
I love the winswept tree and ocean side shrubbery and great rocks look as if they are falling down to the sea.A beach scene of a bay at sunset as last light results in  golden light and long shadows. There are trees along side the sand with sunlight hitting the trees. Headland and boats in the the distance.  a dry Australian country scene showing hints of promise with a water billabong and green trees admidst the pink and beige landscape. A lone windmill from a water well can be seen in the distance. Painted with relaxed short brushstrokes, avoiding too much detail, and letting the colours and shadows speak for themselves.
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