India has always fascinated me and it took me a while before I ventured forth to do my first Indian influenced painting. The Ajanta caves, in Aurangabad district of Maharashtra state, India, is one of the most fascinating places because of its antiquity and style of the paintings on the walls therein. In my painting, I wanted to juxtapose the ancient with the new. I took a series of photographs of houses on one trip to India when I also visited the Ajanta Caves. Both sets of images relate to the quotidian, i.e. what you see everyday. The modern houses in the streets of India in 2003 and the reproduction of the Ajanta paintings of ancient Indians going about their daily chores forms the background to this piece. I love the vibrant colours, the imaginative, individual modern house styles, and the unusual depiction of domestic scenes of 2nd century BCE to about 480 CE in these Buddhist World Heritage Site caves.
Ajanta Dreams
(Requires Framing)
Artwork Details
Medium | Acrylic, Paper (Requires Framing) |
Dimensions | 30.7in (W) x 20.9in (H) x 0.1in (D) |
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Artwork Description
Artist Bio
Pam Schultz is an award-winning representational fine artist. Her paintings are in the collection of national and international patrons. “My appreciation of art began at home in Melbourne, where I was fascinated by my grandmother’s oil paintings hanging on the walls. I started drawing earnestly around eight years old. I excelled at art in school and by grade 12, I was enrolled in a Diploma of Art at Caufield Institute of Technology (now Monash University). My first artistic job was a textile artist at a clothing factory in Melbourne. I designed textile patterns and took the illustrations overseas to England where I was based for three years. I travelled around Europe, West Asia and America visiting art galleries, stately homes and cathedrals. In London, I worked for an animation studio where I created illustrations for commercials. Back in Australia, I became enthralled by the tropical landscapes in North Queensland and became involved in lobbying for their protection through my art. Influenced by anthropology studies at university, I began to paint portraits in 2003. Then I began to choose people who were conservation ecologists as this theme suited my passion as one who aimed for the same goal. I worked in the field of natural resource management following the achievement of a PhD in Environmental Science. Amongst other recent commendations, I won first prize in 2019 for “The Ethnobotonist” in the competition Artists of the North in Cairns. In 2020, I received a high commendation for “Grasswren Country Laid Down” at the Cairns Regional Gallery.”