Pause on the Fred Flintstone style furniture as you contemplate the aspects of Camp Creek. Facing upstream, the attributes are biodiverse flora and fauna, breeding and roosting islands for birds and adequate cover for mammals. Platypus feed in the waters here, and Azure Kingfishers fish.
Plonk yourself on the downstream facing seat and try and understand what has happened there;
1. Important hollow branches cut back to the trunk, instead of being left in place for wildlife.
2. Narrowing of the creek so that it resembles a canal instead of an estuary.
3. Acid sulphate soils and silt dredged from the creek and dumped onto mature trees, compromising their health.
4. The felling of mature Eucalyptus trees important for climate control, carbon syncs and biodiversity
5. The establishment of a large lawn, eliminating the natural riparian zone for creek health and wildlife corridors.
A misconception of natural values!
Camp Creek Timeline
(Requires Framing)
Artwork Details
Medium | Oil, Linen (Requires Framing) |
Dimensions | 57.1in (W) x 18.5in (H) x 0.8in (D) |
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Artwork Description
Artist Bio
Pam Schultz is an award-winning representational fine artist. Her paintings are in the collection of national and international patrons. “My appreciation of art began at home in Melbourne, where I was fascinated by my grandmother’s oil paintings hanging on the walls. I started drawing earnestly around eight years old. I excelled at art in school and by grade 12, I was enrolled in a Diploma of Art at Caufield Institute of Technology (now Monash University). My first artistic job was a textile artist at a clothing factory in Melbourne. I designed textile patterns and took the illustrations overseas to England where I was based for three years. I travelled around Europe, West Asia and America visiting art galleries, stately homes and cathedrals. In London, I worked for an animation studio where I created illustrations for commercials. Back in Australia, I became enthralled by the tropical landscapes in North Queensland and became involved in lobbying for their protection through my art. Influenced by anthropology studies at university, I began to paint portraits in 2003. Then I began to choose people who were conservation ecologists as this theme suited my passion as one who aimed for the same goal. I worked in the field of natural resource management following the achievement of a PhD in Environmental Science. Amongst other recent commendations, I won first prize in 2019 for “The Ethnobotonist” in the competition Artists of the North in Cairns. In 2020, I received a high commendation for “Grasswren Country Laid Down” at the Cairns Regional Gallery.”