The Hmong People of Northern Laos were brought to Australia as refugees at least 30 years ago. Located in Innisfail, North Queensland, I was their ethnologist in 2005 to record their cultural codes of marriage, death and funeral rites. After gaining permission, I was able to paint this scene of a drummer, the primary player, and two Qeej players. Their performance is to assist the deceased to return to their homeland so that he/she does not cause harm to the family. The Qeej player dances with swaying motion to evoke the spirits. The mortuary practices can last up to twelve days where animals are sacrificed, shamans douse with bamboo sticks to receive instruction from the spirits and the community gathers to share food.
The Qeej Player for the Hmong Soul
Ready to hang
Artwork Details
Medium | Acrylic, Canvas, Ready to hang |
Dimensions | 46.5in (W) x 30.5in (H) x 0.8in (D) |
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Artwork Description
Artist Bio
Pam Schultz is an award-winning representational fine artist. Her paintings are in the collection of national and international patrons. “My appreciation of art began at home in Melbourne, where I was fascinated by my grandmother’s oil paintings hanging on the walls. I started drawing earnestly around eight years old. I excelled at art in school and by grade 12, I was enrolled in a Diploma of Art at Caufield Institute of Technology (now Monash University). My first artistic job was a textile artist at a clothing factory in Melbourne. I designed textile patterns and took the illustrations overseas to England where I was based for three years. I travelled around Europe, West Asia and America visiting art galleries, stately homes and cathedrals. In London, I worked for an animation studio where I created illustrations for commercials. Back in Australia, I became enthralled by the tropical landscapes in North Queensland and became involved in lobbying for their protection through my art. Influenced by anthropology studies at university, I began to paint portraits in 2003. Then I began to choose people who were conservation ecologists as this theme suited my passion as one who aimed for the same goal. I worked in the field of natural resource management following the achievement of a PhD in Environmental Science. Amongst other recent commendations, I won first prize in 2019 for “The Ethnobotonist” in the competition Artists of the North in Cairns. In 2020, I received a high commendation for “Grasswren Country Laid Down” at the Cairns Regional Gallery.”