Foundational Series | Studio Blueprint No. 302

Acrylic, Paper (Requires Framing)

10.2in (W) x 14.5in (H) x 0in (D)

Signed Certificate of Authenticity

(Requires Framing)

$1,320

Arrives 15–15 Oct

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Artwork Description

Artwork Description: Studio Blueprint No. 302

The Concept
Studio Blueprint No. 302 is a dynamic entry in the artist’s new foundational series—a collection of gestural explorations that function as the creative DNA for larger-scale compositions. This work captures the raw, kinetic energy of the artist’s initial vision, distilling complex form into its most essential, rhythmic state.

The Aesthetic
Executed in professional-grade monochromatic acrylics on 25.8 x 36.8 cm archival off-white paper, No. 302 emphasizes a sophisticated balance of tension and flow. The deep blue pigments navigate the textured surface with a sense of fluid architecture, creating an organic structure that serves as a visual record of the artist’s physical process.

The Collector’s Experience
While my 1stDibs collections focus on the ‘Monolithic’ presentation of framed miniatures, the Blueprint series on Bluethumb offers collectors the raw, tactile presence of the studio. Delivered unframed (flat-packed or rolled on archival paper), this work allows the collector to engage with the structural complexity of the paint before it is encased in glass. This presentation offers the flexibility to choose bespoke framing that perfectly suits a personal interior.

Artist Bio

Contemporary Minimalist | From Gestural Studies to Masterworks

​About the Artist:
​Rebecca Wing Sze Lam is a Brisbane-based contemporary artist whose work is a refined exploration of subconscious intuition and primordial form. Known for her reclusive and deeply focused studio practice, Rebecca’s art serves as a silent conduit between the artist’s inner landscape and the collector’s space.
​While her premier, large-scale masterworks on museum-grade linen are represented via 1stDibs, her presence on Bluethumb offers collectors an exclusive look into her Formative Series and Experimental Gestural Studies. These works on canvas and paper capture the raw, energetic origins of her minimalist style.
​Rebecca’s work is held in private collections globally and is featured in prominent public installations, including the Royal Brisbane and Women’s Hospital. Her practice continues to evolve, prioritizing archival integrity, emotive depth, and the sophisticated beauty of the unspoken mark.