Infinity Ed. 1 of 1

In this work, I have taken close-up photographs of various varieties of wood shavings which had been contained in small square paper boxes.

My interest in the ambiguity of reality led me to overlay these images so that we are taken into another space, another world. Repetitious, meditative activity was used to produce both the subject itself and the artwork. The wood shaving, like the grain of sand or the drop of water, reminds us of much greater things.

My prints are not computer generated but rather, are the result of using the computer merely as a tool to create an extension of my studio work. While I do work from my own photographs, as in this work, my digital work is more often developed from my paintings and drawings and developed to become a new artwork, usually part of a series and one of a limited edition.

This work is box framed in with glass using a gallery style dark timber.

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My work is mostly painting, drawing and mixed media. As the daughter of a cabinetmaker and a creative homemaker, I have always been interested in art and design and making things. After leaving school I originally studied and worked as an Industrial Designer but soon made my way into Graphic Design jobs and eventually into Tertiary Art and Design teaching. I currently work full time in my Mittagong Studio as a professional artist, exhibiting in Regional NSW and Victoria, and in Melbourne and Sydney.
I often work in series where I have several works happening at the same time. I like to explore one subject or idea by creating as many works as I need before exhausting that idea. I love experimenting and, although this was a good attribute for teaching painting and design, it has also resulted in my portfolio comprising of many directions in my work over the years. I just love making art.
My work ranges from abstract to expressive and impressionistic. Nature's patterns and textures are common themes where I interpret rather than copy my subject. Important landscapes include the desert, the bush and the coast. Unfashionable and untidy are appealing! I enjoy seeking a visual language that interprets the landscape that I experience. I "hear" and "feel" the landscape, as well as "view" it.
The subjects of still life and portraiture are reliable backstops that I keep returning to. There's always the kitchen, the domestic scene and dead flowers. They are static and always there for me. Portraits and the figure are of great interest, and I regularly participate in the practice of life drawing.
I regularly return to intangible subjects such as sound, noise and silence (what would a sound look like - how can I visually describe it?), smell, taste, touch, unfamiliar language, time, memory and history. My works expose my interest in colour theory and design elements, leading me to reduce any recognisable image in order to place undeniable emphasis on the emotive content. Such works can be more “difficult” to view and more challenging to create. There is a delayed reaction in their making, as if they need sort of incubation time to distill a little.
I develop much of my work in the studio referencing my sketches, photos, my written descriptions and thoughts, and, above all, my memory and knowledge.