Black Cockatoo River and Gully Set of two Ed. 6 of 50

FITS IKEA FRAMES (see further info below)

Pair of Black Cockatoo Prints x2 separate prints, each A4 size printed onto the finest quality textured watercolour paper using archival prints, each print is numbered, signed by and me and comes with a certificate of Authenticity. Just to be clear - you will receive two A4 size prints for $260 AUD

These prints will be shipped unframed, carefully packed between cardboard in a rigid mailer.
If you would like to frame yourself, they fit the following IKEA frames and will sit perfectly within the white matting (border) as shown in the styled pics.

RIBBA (30 × 40 cm frame, A4 mat)
Frame size: 30 × 40 cm
Mat opening: Fits A4 (21 × 29.7 cm)
Colors: White, Black, Oak effect
Notes: Classic, deep-set frame, popular for artwork and photography
LOMVIKEN (30 × 40 cm frame, A4 mat)
Frame size: 30 × 40 cm
Mat opening: Fits A4 (21 × 29.7 cm)
Colors: Aluminium (silver), Black
Notes: Thin, modern metal frame
HOVSTA (30 × 40 cm frame, A4 mat)
Frame size: 30 × 40 cm
Mat opening: Fits A4 (21 × 29.7 cm)
Colors: Birch, White, Brown
Notes: Wooden veneer finish, slightly recessed for a gallery effect

Alternatively Bluethumb offers a framing service which you can select at checkout. This service is automated but since there are two prints in the one listing here, you will need to contact Bluethumb to manually arrange framing of two separate prints which won't be a problem, it's just that the system will show you a preview of both prints framed into one frame.

Feel free to message me if you have any issues.

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Floriosa is the botanical painting practice of Australian artist Sally Browne.
I've been making art for as long as I can remember. What was meant to be a one-year trip from the UK to Sydney in 1994 somehow became a permanent move, and Australia has been home ever since.
Much of my work begins outdoors. I love wandering through suburban streets noticing flowering trees, plants spilling over fences, unexpected colour combinations and the small details that most of us walk straight past. I often come home with armfuls of flowers, seedpods and odd little cuttings that eventually find their way into my paintings.

Although my work begins with observation, it rarely stays there. A vase of flowers, a flowering gum or a bird perched in the garden might provide the starting point, but colour, memory and imagination soon take over. I'm less interested in painting a particular flower than in capturing the feeling of being surrounded by nature.

Before becoming a full-time artist in 2015, I worked in graphic design, surface pattern and printmaking, experiences that continue to influence my love of colour, rhythm and composition. I'm also inspired by the simplicity and spontaneity of Chinese and Japanese ink painting, though over the years my own work has evolved into a looser, more contemporary style.

Alongside Floriosa, I maintain a contemporary fine art practice under my own name, exhibiting regularly throughout Australia. Over the past decade I've been fortunate to place hundreds of original paintings into private collections both here and overseas. These days, if I'm not in the studio, there's a good chance I'm wandering around Sydney with secateurs in my bag, bringing home flowers, seedpods and whatever else catches my eye.