Currawongs at the Billabong Ed. 2 of 100

Verified Artist Signed Certificate of Authenticity

(Requires Framing)

$300

Artwork Details

Medium Giclée, Paper (Requires Framing)
Dimensions 33.1in (W) x 23.4in (H) x 0in (D)
Review Stars 21,565 Customer Reviews
Original Artwork
This artwork is one of a kind!
Free Shipping across the United States
Return it for free within 7 days

Artwork Description

About the artwork:
This painting features a pair of Currawongs in a lovely pared back colour palette of deep blue hues and earthy golds. I love to paint our unique Australian flora and fauna in gouache and watercolour on beautiful thick textured papers. I use calligraphy brushes varying the paint consistency from watery washes to opaque line work - my intention is to create flow and movement within the work. Features lots of intricate line work that you can see if you look at the close up images.

This Extra Large Limited Edition (of 100) Giclée Print(s) of my original watercolour painting has been printed onto thick textured cotton rag paper using archival inks by a specialist fine art reproduction printing house. Hand signed and editioned with a signed certificate of authenticity, this print is sold unframed for easy shipping and will arrive wrapped in tissue and rolled in a study mailing tube. However if you would prefer to receive this piece framed, please select the framing option at check out, and please get in touch if you have any questions.

Purchase of this artwork does not include reproduction rights. Artwork cannot be copied or used without the artist’s prior permission. © Copyright 2015-2025 Sally Browne

Artist Bio

Floriosa is the botanical painting practice of Australian artist Sally Browne.
I've been making art for as long as I can remember. What was meant to be a one-year trip from the UK to Sydney in 1994 somehow became a permanent move, and Australia has been home ever since.
Much of my work begins outdoors. I love wandering through suburban streets noticing flowering trees, plants spilling over fences, unexpected colour combinations and the small details that most of us walk straight past. I often come home with armfuls of flowers, seedpods and odd little cuttings that eventually find their way into my paintings.

Although my work begins with observation, it rarely stays there. A vase of flowers, a flowering gum or a bird perched in the garden might provide the starting point, but colour, memory and imagination soon take over. I'm less interested in painting a particular flower than in capturing the feeling of being surrounded by nature.

Before becoming a full-time artist in 2015, I worked in graphic design, surface pattern and printmaking, experiences that continue to influence my love of colour, rhythm and composition. I'm also inspired by the simplicity and spontaneity of Chinese and Japanese ink painting, though over the years my own work has evolved into a looser, more contemporary style.

Alongside Floriosa, I maintain a contemporary fine art practice under my own name, exhibiting regularly throughout Australia. Over the past decade I've been fortunate to place hundreds of original paintings into private collections both here and overseas. These days, if I'm not in the studio, there's a good chance I'm wandering around Sydney with secateurs in my bag, bringing home flowers, seedpods and whatever else catches my eye.

Commissions

FLORIOSA's studio is in Sydney