Glossy Black Cockatoos and Parched Landscape

Watercolour, Paper (Requires Framing)

29.9in (W) x 22.1in (H) x 0in (D)

Certificate of Authenticity Included
$1,070

Artwork Description

My current paintings explore the visual language of line and pattern within the Australian landscape, and are influenced by the process and characteristics of block printing.

This painting in sublime earth and indigo tones features a pair of Glossy Black Cockatoos (beautiful birds who are sadly on our rapidly growing endangered species list) Perched on a Gum tree in a parched landscape.

I have a background in surface pattern and textile design, so my instinct is to seek out the patterns in all things, and the natural world is an abundant source of inspiration for my practice. This painting features many hours of intricate mark making and patterning which can be seen in the detail photos.

Artist Bio

Floriosa is the botanical painting practice of Australian artist Sally Browne.
I've been making art for as long as I can remember. What was meant to be a one-year trip from the UK to Sydney in 1994 somehow became a permanent move, and Australia has been home ever since.
Much of my work begins outdoors. I love wandering through suburban streets noticing flowering trees, plants spilling over fences, unexpected colour combinations and the small details that most of us walk straight past. I often come home with armfuls of flowers, seedpods and odd little cuttings that eventually find their way into my paintings.

Although my work begins with observation, it rarely stays there. A vase of flowers, a flowering gum or a bird perched in the garden might provide the starting point, but colour, memory and imagination soon take over. I'm less interested in painting a particular flower than in capturing the feeling of being surrounded by nature.

Before becoming a full-time artist in 2015, I worked in graphic design, surface pattern and printmaking, experiences that continue to influence my love of colour, rhythm and composition. I'm also inspired by the simplicity and spontaneity of Chinese and Japanese ink painting, though over the years my own work has evolved into a looser, more contemporary style.

Alongside Floriosa, I maintain a contemporary fine art practice under my own name, exhibiting regularly throughout Australia. Over the past decade I've been fortunate to place hundreds of original paintings into private collections both here and overseas. These days, if I'm not in the studio, there's a good chance I'm wandering around Sydney with secateurs in my bag, bringing home flowers, seedpods and whatever else catches my eye.