Kookaburras on Llewellyn Street Protea - 2018 Ed. 44 of 50

Giclée, Paper (Requires Framing)

33.1in (W) x 23.4in (H) x 0in (D)

Signed Certificate of Authenticity
$300

Artwork Description

KOOKABURRAS & LLEWELLYN STREET PROTEA by Sally Browne
Limited Edition Fine Art Giclée Print of my original painting.

ONLY A FEW PRINTS LEFT IN THIS EDITION!!!

Printed using Archival inks onto thick high quality watercolour paper.
Only 50 prints in this edition, each print is hand signed and numbered /50, comes with Certificate of Authenticity.

****Protective copyright watermark is on the digital file only, not the final print.
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Measurements:
84.1cm x 59.4cm
33.1 x 23.4 inches
A1
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These prints are of exceptionally high quality, they look and feel like the original paintings.
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SHIPPING:
This work will be carefully wrapped in tissue and rolled into a sturdy mailing tube

© Copyright Sally Browne 2015 - 2022
Purchase of this artwork does not include reproduction rights. Artwork cannot be copied or used without my express permission
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ABOUT THE WORK:
My work is inspired by the plants growing in the streets and gardens of my inner city neighbourhood. There's a giant Protea tree growing in a front garden on Llewellyn Street Enmore, and I've been meaning to include it in one of my paintings for sometime now. I finally snapped some photos and got to work on this piece which also features a pair of kookaburras who like to visit from time to time. The subtle blue/grey hues of this work combined with the pinks of the protea flowers make for a really beautiful, calm colour combination.

Artist Bio

Floriosa is the botanical painting practice of Australian artist Sally Browne.
I've been making art for as long as I can remember. What was meant to be a one-year trip from the UK to Sydney in 1994 somehow became a permanent move, and Australia has been home ever since.
Much of my work begins outdoors. I love wandering through suburban streets noticing flowering trees, plants spilling over fences, unexpected colour combinations and the small details that most of us walk straight past. I often come home with armfuls of flowers, seedpods and odd little cuttings that eventually find their way into my paintings.

Although my work begins with observation, it rarely stays there. A vase of flowers, a flowering gum or a bird perched in the garden might provide the starting point, but colour, memory and imagination soon take over. I'm less interested in painting a particular flower than in capturing the feeling of being surrounded by nature.

Before becoming a full-time artist in 2015, I worked in graphic design, surface pattern and printmaking, experiences that continue to influence my love of colour, rhythm and composition. I'm also inspired by the simplicity and spontaneity of Chinese and Japanese ink painting, though over the years my own work has evolved into a looser, more contemporary style.

Alongside Floriosa, I maintain a contemporary fine art practice under my own name, exhibiting regularly throughout Australia. Over the past decade I've been fortunate to place hundreds of original paintings into private collections both here and overseas. These days, if I'm not in the studio, there's a good chance I'm wandering around Sydney with secateurs in my bag, bringing home flowers, seedpods and whatever else catches my eye.

Commissions

FLORIOSA's studio is in Sydney