Mrs Macquarie's Gum 2021

Oil, Canvas, Framed by Artist

61.4in (W) x 41.3in (H) x 2.8in (D)

Certificate of Authenticity Included
$3,230

Artwork Description

This painting features one of my favourite trees which I refer to as Mrs Macquarie's Gum. She can be found at my favourite picnic spot in Sydney's Royal Botanical Gardens. Her twisted serpent like trunk sits low to the ground and my small children are able to climb her branches and get up close and personal with the resident Kookaburras or bumble bees feeding on the gum blossoms, depending on the season.

My art practice is centred around drawing. I sketch Plein air in watercolour and inks, then either complete or recreate the works back in the studio in different mediums as is the case with this large work in oils.

My intention is to capture the raw energy and spirit of the initial sketches outdoors. Like my drawings, my paintings are created predominantly using expressive lines and gestural marks. I like working with Chinese calligraphy brushes to capture movement and create flow within the lines. I am influenced by the Japanese Aesthetic, in particular the patterns found on decorative arts and textiles, as well as traditional Ukiyo-e (floating world) nature scenes.

Artist Bio

Floriosa is the botanical painting practice of Australian artist Sally Browne.
I've been making art for as long as I can remember. What was meant to be a one-year trip from the UK to Sydney in 1994 somehow became a permanent move, and Australia has been home ever since.
Much of my work begins outdoors. I love wandering through suburban streets noticing flowering trees, plants spilling over fences, unexpected colour combinations and the small details that most of us walk straight past. I often come home with armfuls of flowers, seedpods and odd little cuttings that eventually find their way into my paintings.

Although my work begins with observation, it rarely stays there. A vase of flowers, a flowering gum or a bird perched in the garden might provide the starting point, but colour, memory and imagination soon take over. I'm less interested in painting a particular flower than in capturing the feeling of being surrounded by nature.

Before becoming a full-time artist in 2015, I worked in graphic design, surface pattern and printmaking, experiences that continue to influence my love of colour, rhythm and composition. I'm also inspired by the simplicity and spontaneity of Chinese and Japanese ink painting, though over the years my own work has evolved into a looser, more contemporary style.

Alongside Floriosa, I maintain a contemporary fine art practice under my own name, exhibiting regularly throughout Australia. Over the past decade I've been fortunate to place hundreds of original paintings into private collections both here and overseas. These days, if I'm not in the studio, there's a good chance I'm wandering around Sydney with secateurs in my bag, bringing home flowers, seedpods and whatever else catches my eye.