This painting lifts the status of these unpopular birds to one of majesty, usually reserved for Cranes in Oriental art. Sometimes I look at our Ibis feeding in the Cookβs River or the wetlands at Sydney Park, and with the help of the Weeping Bottlebrush trees and water, they remind me of a Ukiyo-e print.
This layered oil painting sits somewhere in between representation and abstraction - which is a place my art journey seems to be pushing me towards lately.
My art practice is centred around drawing. I sketch Plein air in watercolour and inks, then either complete or recreate the works back in the studio in different mediums as is the case with this large work in oils.
My intention is to capture the raw energy and spirit of the initial sketches outdoors. Like my drawings, my paintings are created predominantly using expressive lines and gestural marks. I like working with Chinese calligraphy brushes to capture movement and create flow within the lines.
Framed in a beautiful Raw Oak box frame and ready to hang, this statement painting would make a beautiful feature on the wall of your Australian home.
Sacred Ibis 2021
Artwork Details
Medium | Oil, Canvas, Framed by Artist |
Dimensions | 41.3in (W) x 31.5in (H) x 1.6in (D) |
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Artwork Description
Artist Bio
I am a professional artist who has been practising on and off since 1993. My βgap yearβ from the UK to Sydney in 1994 turned into 30 years, and Iβm proud to call Australia home. I have always been interested in plants and natural history, so I instantly felt an affinity with the unique landscape and wildlife of my new country. I find purpose and meaning spending time alone in nature with my watercolours. This quiet contemplation is good for my wellbeing and also informs my painting practice. My practice is centred around drawing and has evolved from my formal studies of surface pattern design, painting, printmaking and graphic design. For as long as I can remember I have been drawn to Art and Calligraphy from China and Japan, in particular the spontaneity of Sumi e ink paintings and the motifs found in Ukiyo e prints. I use the formal qualities of these centuries old artworks as a jumping off point to reinterpret into my own visual language.
I relaunched my full-time painting career in 2015 after a decade long hiatus and have been a finalist in several national art awards including the Calleen Award, Greenway Open Art Prize, Lethbridge, Bluethumb Art Prize and the National Contemporary Watercolour Prize. My licensed artwork is featured on homewares and gift ranges nationally, and I exhibit regularly in solo and group exhibitions in Galleries throughout Australia. I am currently completing my BFA at Sydney's National Art School, majoring in painting (and loving every minute of it) I am immersed in experimentation mode under the guidance of some of Australia's leading contemporary artists, and excited to be evolving my practice and keeping it fresh. I am extremely grateful to be able to do what I love for a living, and I hope you enjoy my artworks as much as I enjoy creating them.