Humanity – triptych – Edition #2/15

Verified Artist Certificate of Authenticity Included

(Requires Framing)

$530

Artwork Details

Medium Ink, Paper (Requires Framing)
Dimensions 19.7in (W) x 27.6in (H) x 0in (D)
Review Stars 21,565 Customer Reviews
Original Artwork
This artwork is one of a kind!
Free Shipping across the United States
Return it for free within 7 days

Artwork Description

Three original limited edition prints.

Each art piece is Edition #2/15. (A complete collector's set).

Collecting as a set is approx $200-$220 cheaper compared to individual purchasing. This saving reduces framing costs for the collector.

Other sets may be available at the artist's discretion. Enquire direct with the artist if you're interested in collecting the same Edition numbers.

All art signed and numbered by the artist.

Medium: Premium archival ink on Pacesetter Satin paper. 200 gsm.

Size per individual print: 50cm(W) x 70cm(H). Image size: approx 44cm(W) x 61cm(H).

Unframed, all three pieces together will create a minimum size of:
Horizontal: 150cm (W) x 70cm (H), or
Vertical: 50cm (W) x 210cm (H).

Framing, all three pieces together will create a minimum size of:
Horizontal: 150cm (W) x 70cm (H), plus mount, plus frame.
Vertical: 50cm (W) x 210cm (H), plus mount, plus frame.

The artwork is unframed. This allows the collector complete flexibility as to how they would like to frame the works – individually, or as a set in any viewing order, horizontally or vertically.

Professional framing recommended – especially when framing all three as a complete set.

These three pieces belongs to the ‘neon_ghetto_flux’ collection of works. The works are a trilogy which delves into the present and future involvement of technology on humanity and society. This tension is apparent, as noted in the title of each artwork – Liquid Chemistry, Plastic Biology and Beyond Existence.

The high-tech and gleaming colours, the 'neon flux’ is heavily present across the three works, but not over shadowing the ‘ghetto’ of decay and old, which SImon merges with cleverness. This provides an atmosphere of uncertainty. The imagery intends to provoke emotion; making it the essential indicator of someone’s ‘humanity’.

Artist Bio

Melbourne-based artist Simon Lovell is a graphic designer with 20 years of experience, having collaborated with both local and international clients. Leveraging his expertise in digital design and influenced by his time spent in Japan, Simon creates vivid imagery inspired by Japanese experiences, ukiyo-e (woodblock prints), and the landscape of his subconscious.

As a contemporary artist, Simon combines digital technology with his traditional fine art education. This mixed-media approach, blending ‘digital & fine art,’ pushes artistic boundaries, resulting in works that are intensely vibrant and bright, or contemplative and subdued. Simon’s creations merge hand-drawn illustrations and linocuts with digital technology and experiences, appealing to a discerning art collector audience and enhancing the authenticity and value of his work.

Recently, Simon was honored with the 2023 Aesop Value Recognition Award in Creativity.

Commissions

Simon's studio is in Melbourne