Layers of charcoal-black and burnt umber sit against passages of raw white and warm ochre. Built up in broad, worked strokes, the surface holds its own history — scraped back, restated, left visible. A quiet architecture of blocked forms emerges, weighted and unhurried.
Part of the ongoing Alpha Series, exploring structure and restraint through a wabi-sabi lens: imperfection, process, and the beauty of the unresolved.