Memory of the Prado #6

Verified Artist Certificate of Authenticity Included

(Requires Framing)

$690

Artwork Details

Medium Acrylic, Wood (Requires Framing)
Dimensions 9in (W) x 12in (H) x 0.8in (D)
Review Stars 21,565 Customer Reviews
Original Artwork
This artwork is one of a kind!
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Artwork Description

A trip to Spain isn't complete till you visit the Prado. This is one in a series of recalling a much too quick visit to the Prado Museum in Madrid. I was overwhelmed with the buckets of brown and black paint along with splashes of skin-tone and bright white in the seemingly infinite amount of portraits from room to room. Ambiguity is intentional as memories merge to the essence of what was.
This painting has a lot of texture. Please look at the detail photos to see it better. This is professional grade acrylic paint on a 12" high by 9" wide wood panel. It has painted edges without a frame, is wired and ready to hang.

Artist Bio

Stephen Remick, an American painter,  grew up in Vermont and lives in Dartmouth, a small town on the south coast of Massachusetts. He received an AS in architecture from Vermont Technical College, and a BFA in Painting from Swain School of Design in New Bedford, Massachusetts where he met his wife, Anne Carrozza, also a painting major. They raised two kids (now adults) while Steve ran a small house painting business.
Steve mostly paints landscapes, representational and abstract. After a years' long series of abstract color-field paintings inspired by the edges where air and land meet, he changed course. “I’m attracted to items built or left by others that weren’t intended to be objects to contemplate. I want to be to art what Robert Frost is to poetry”. This led to a series inspired by the Robert Frost poem Mending Wall where he painted old stone walls in the middle of the woods off his New England backyard, now not walling anything in or out. Then, branching off to abandoned cellar holes and cemeteries, woodpiles, surveyor’s ribbon, backyard projects, and so on. In searching for subjects, he found that snow-cover unified and distilled them. This led to painting the abstract beauty of sunlight and shadow on snow, yet rendering it in a representational image. As a result, new paths opened up for him, including painting paths with the metaphors they evoke.
Saying he would never have thought they'd enter his studio, world events and politics make their way into his subject matter once in a while, like his 2020 COVID-19 healthcare worker portrait series. "I hope to give empathy and understanding to whatever subject is on my canvas."

Commissions

Stephen's studio is in Massachusetts, USA