Vincent Keele
26 artworks

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Artwork Description

Digital on plastic, ready to hang.

Muddy Waters Painting

One thing that immediately caught my attention when I began this painting was my desire for it to be predominantly black and white, yet exude a warm, earthy ambiance. The subtle touches of red provide just the right amount of vibrancy to this artwork. The background features rhythmic writing and marks on the lighter side of the painting, while on the darker side, you'll find the lyrics to one of Muddy's renowned songs, 'I'm Trouble.' This painting is elegantly presented on acrylic glass, creating a sleek and contemporary finish that allows it to appear as if it's effortlessly floating on the wall.

• Mixed Media Painting on Acrylic Glass
• 30” H x 30” W x 1.5” D |76 cm H x 76 cm W x .1 cm
• Ready To Hang
• Painting Signed In Lower Left Front And Also On The Lower Left Back
• A signed Certificate of Authenticity from my studio will be included with this painting and all the materials that were used to complete it.
• The Finish: Gloss Archival Varnish with UV Protection

Please contact me if you have any questions about this artwork or any other painting!

Artfully yours,

Vincent

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Medium

Acrylic on Acrylic Glass

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Ready to hang

This artwork is ready to hang.

People & Portrait Art
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Vincent Keele
26 artworks

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All art by Vincent Keele

Boundless Painting I am not the first to chase that eluding light. But it’s something I feel I have always had an attraction to. Boundless reminds me I can set a trap and wait for Mr. Light to come to me. So while I wait, I’ll add a few thoughtful marks and bold colors to lure him in. Boundless is an original acrylic painting on unstretched canvas that is part of my continuing Indigenous series. • Acrylic Painting on Unstretched Canvas • 22” H x 30” W x 0” D |56 cm H x 76 cm W x .1 cm • Painting Signed In Lower Left Front And Also On The Lower Left Back • A signed Certificate of Authenticity from my studio will be included with this painting and all the materials that were used to complete it. • The Finish: Gloss Archival Varnish with UV Protection Please contact me if you have any questions about this artwork or any other one of my paintings! Armstrong This painting has been in the works for quite some time in my mind, portraying the ambassador of jazz, Mr. Louis Armstrong. My goal for this painting was to depict Satchmo, aka Louis Armstrong, in the familiar role of leading the show. Dressing him in a very flashy green suit and red tie, I feel helps to showcase his grand personality and stage presence. From an artistic point of view, it was such a joy to focus on the little details of the blue piping and stitching on his lapel, tie, and other areas. I added blue accents to enhance the overall composition. This painting offers many points of interest. Behind Armstrong, I aimed to capture the essence of jazz by highlighting some of the most famous and beloved jazz players to ever grace the music scene. This painting invites you to sit down and enjoy its liveliness, immersing yourself in Louis Armstrong's world of jazz. Creating this painting on acrylic glass gives it a luxurious, contemporary look with very clean lines, and the appearance of the artwork floating on the wall. If you're a jazz lover, this one's for you. Ever since I can remember, I've been a huge fan of Howlin' Wolf's soulful music. As a true blues enthusiast, the essence of this music courses through my veins. The spirit of the Wolf himself has long lingered on my list of artistic muses, and today, I'm elated to declare that I've brought my vision to life. With a heart steeped in the blues, I set out to honor this influential bluesman. I've meticulously crafted a portrayal that captures the essence of Howlin' Wolf – his fiery passion, his raw intensity, and the very soul that defined his music. As I stand back and gaze upon the artwork, I can almost hear his deep gravelly voice echoing through the paint strokes. This is one of those legendary jazz men that I had to paint. Thelonious Monk was a giant in the jazz world but not as often thought about as some of the more common names. The interplay between the warm and cool colors of reds and blues makes this a very electrifying painting. I gave the great man a noble stance, and placed analogous colors all over his face while bringing a few warm rhythms to his beard, mustache and glasses. This interplay worked well against the contemporary bold abstract background. I finished the painting off with a harmonizing calligraphy monogram of his name, Monk.
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