New Art from VIC

Acrylic, 23.6in (W) x 31.5in (H)

$1,530

Garden under a pearl moon

Acrylic, 48in (W) x 24in (H)

$2,200

The painting depicts a whimsical, dreamlike scene in a moonlit forest clearing. Four women, dressed in vibrant red, yellow, and blue gowns, are gathered around a circular patch of grass. Three of them hold bouquets of flowers. One woman sits serenely on the ground, while the other three stand, seemingly interacting. A small white dog is near the women. The forest is depicted with stylized, brightly colored trees, creating a fantastical, almost surreal atmosphere. The overall palette is rich and saturated, with contrasting colors creating a visually stimulating image. The style suggests a focus on emotional expression and narrative, rather than realism.

Searching for sacred places

Acrylic, 48in (W) x 24in (H)

$2,200

A wide, sunlit panorama rendered in bold, uncomplicated shapes and saturated colour. The sky is a clear, brilliant blue that runs uninterrupted across the top of the image, setting a cheerful, open tone. Below it, a low ridge or outcrop composed of countless rounded, almost ball-like rocks fills the middle ground — warm reds and rust-orange tones piled into soft, repetitive mounds that read like a field of giant berries or sculpted clay.

In front of that rocky rise stand a line of slender, pale trunks — white-barked trees with sparse, delicate branches that reach up into tufts of fresh green foliage. Their thin vertical forms create a steady rhythm across the composition and contrast sharply with the heaviness and mass of the red stones behind them. Between the trunks and the rocks, a narrow band of bright turquoise water winds through, a cool foil to the surrounding warmth and a small, vivid focal point.

The foreground is a sunbaked plain: sandy, ochre tones peppered with scattered round stones and small green shrubs. The artist’s treatment is decorative and slightly flattened — smooth fields of colour and clean edges which gives the scene a stylized, almost folk-art quality. The overall effect is both lively and serene: high colour and pattern suggest heat and sunlight, while the repeated shapes and steady composition lend a calm, rhythmic order. It feels like a distilled memory of a dry, open landscape, brightened by sunlight and the unexpected splash of water and greenery.

Australia -" Billabong with white cockatoos"

Acrylic, 48in (W) x 24in (H)

$2,200

Tanya Meeks

Mars

Grace Bardini

Victorian Peninsula

DAVID HEARNE

Rosebud Victoria

Night window

Acrylic, 35.8in (W) x 35.8in (H)

$1,660

Sleeping man

Acrylic, 24in (W) x 24in (H)

$1,440

Untitled 3

Acrylic, 29.9in (W) x 29.9in (H)

$1,690

coloured garden

Acrylic, 35.8in (W) x 35.8in (H)

$1,740

Robyn Kylie

Macedon Ranges

Vase 1

Acrylic, 25.2in (W) x 25.2in (H)

$1,260

Thommo

Acrylic, 27.2in (W) x 24in (H)

$1,420

Smithy

Acrylic, 27.2in (W) x 24in (H)

$1,420

Shaz

Acrylic, 20.9in (W) x 28.7in (H)

$1,060

Roz McQuillan

Melbourne

Female nude standing

Mixed Media, 12.2in (W) x 21.3in (H)

$420

Pen and ink drawing of a male nude from the back, from the head to the calves. Drawn from life, in a traditional ink style, on lightly textured handmade paper.

Male Nude standing

Ink, 12.8in (W) x 18.3in (H)

$590

The orange cliffs of Red Bluff, surrounded by green scrub bushes, with the sea lapping in at a beach in the foreground.

Red Bluff Cliffs from Half Moon Bay

Oil, 12.6in (W) x 8.9in (H)

$400

Pastel drawing of a seated female nude, with a nude male with wings at her back. I felt that the male looked like an angel protecting the female. The colours are mainly soft pastel green and aqua.

My Blue Angel

Pastel, 19.7in (W) x 16.9in (H)

$460

Jenny Davis

Melbourne, Victoria. Australia.

Hobart from Kunanyi Mt Wellington 1952–2024

Mixed Media, 17.7in (W) x 23.6in (H)

$2,490

Industrial minimal painting with bold red and green background with layers of shellac to give texture.
In creating this piece, I was driven by raw emotion, allowing the interplay of acrylics, shellac and ink to form an abstract landscape of sentiment. My use of oil pastel further injects vibrancy, each stroke intentional yet free. This artwork embodies both the chaos and tranquility of the human spirit – a dance of color and texture.

(IMPORTANT POINTS ABOUT JENNY DAVIS:
> Established Professional Australian Artist.
> Awarded artist residency's and artist grants.
> Artworks in public collections in Australia, Spain, Usa.
> Paintings in collections in New York, Paris, London, Australia, Canada & world.
> 20 solo exhibitions and over 65 group exhibitions in Australia, NY, LA. Paris, Berlin, Spain, UK, EU, Venice Biennial Italy.
>Published artist
>Reviewed artist
(See CV below)

About My Artworks
My art is meticulously hand-painted on professional-grade cotton canvas. Most pieces come ready to hang on stretchers, with some offered already framed (priced accordingly). I also have artworks on artist board, unframed, and not ready to hang. Larger canvas pieces can be shipped unmounted, carefully rolled with acid free tissue or papers in a protective cardboard cylinder to ensure a safe, pristine arrival.

Wallmatter 14 READY TO HANG Professionally framed

Acrylic, 20.5in (W) x 24.4in (H)

$1,770

About
In this piece, I've merged the raw textures of cement with the fluidity of acrylics. It's a journey through abstraction, where minimalism speaks loudly in subdued chaos. Every stroke is deliberate, yet it resonates with the spontaneity of life's imperfections. This isn't just a painting; it's an emotion.

Wallmatter 7 READY TO HANG professionally framed Raw textures of cement with the fluidity of acrylics

Mixed Media, 36.2in (W) x 48in (H)

$3,440

Industrial minimal painting with bold red and green background with layers of shellac to give texture. Imbued with passion, my canvas bursts with vibrant reds and oranges, capturing the raw energy and emotion within. The melding of acrylics, shellac and oil pastel creates a textural tapestry that invites the viewer to delve deeper. While the ink lines speak to the minimal yet profound narratives woven into this semi-abstract expression. This piece isn't just a visual experience; it's a palpable presence that will infuse your space with vitality and thought-provoking complexity.

Wallmatter 12 READY TO HANG professionally framed minimal profound visual experience

Acrylic, 20.5in (W) x 24.4in (H)

$1,770

Sanae Hayashi (Mawhinney)

Melbourne

Valley

Acrylic, 24.8in (W) x 36.6in (H)

$1,290

Brown organic mark-making and pink glazing

KILN FIRED TRANQUILITY TEAPOT 02

Acrylic, 36.6in (W) x 24.8in (H)

$940

Tranquality Teapot Kiln Fired 04

Acrylic, 19.7in (W) x 23.6in (H)

$300

Brown mark-markings and pink glazing on raw canvas

KILN FIRED TRANQUILITY TEAPOT 05

Acrylic, 19.7in (W) x 23.6in (H)

$300

Evelyn Yee

Melbourne, Australia

Dog walking at the botanic gardens

Watercolour, 11.8in (W) x 8.3in (H)

$350

Autumn Colours, St Vincent Gardens

Gouache, 11.8in (W) x 8.3in (H)

$350

Shall we head home?

Gouache, 11.8in (W) x 8.3in (H)

$350

Apex Beach

Acrylic, 11.8in (W) x 8.3in (H)

$350

Melissa Lal

Naarm/Melbourne

Edie (SALE)

Acrylic, 39.4in (W) x 39.4in (H)

$1,520

Wake me up in NYC

Acrylic, 13.8in (W) x 17.7in (H)

$640

Sun kissed breeze

Watercolour, 12.6in (W) x 16.1in (H)

$300

Daria (SALE)