Jenny Davis
224 artworks

Melbourne, Victoria. Australia., Australia
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Artwork Description

Oil on wood

Signed certificate of authenticity.

Please note: I am currently selling off some of my older important artworks. Some have been in exhibitions in Australia and overseas and may have writing and labels for provenance history on the back.

Exhibition History
2005 Abstract2. Art-Domain Gallery. Leipzig, Germany. (Curator) Ulrich Goette Himmelblau
2005 Beale on Auburn Gallery. Hawthorn. Victoria. Australia. ( Solo)
2004 Jenny Davis at Loft Art Space Rochford Winery. Victoria Australia. ( Solo)
2004 Didja. Tilt Contemporary Art Gallery. Melbourne. Australia. ( Solo)
2004 Urbantide Toyota Community Spirit Gallery. Melbourne. Australia (Curator) Ken Wong

ABOUT Hear It.
Calm silent spaces with colour. A series of carefully painted swatches sitting together in harmony. Each block sits silent and almost whispers,...together they tell a story of joy and hope.

Year 2004
Signed by artist
Certificate of Authenticity

About the materials.
This painting has been created on strong, rigid panel.
My panels are coated with acid-free acrylic gesso.
The artwork is unframed and has no hanging hardware.
This makes it ideal for custom framing to your liking.
Your local framer will be able to create a custom frame for your artwork.
Painting on a rigid wooden board allows me, to build up rich layers of, marks, text and coloured glazes, without the surface collapsing, as when using a stretched canvas .

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Medium

Oil paint and wax on sealed board. ( Requires Framing)

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Unframed (requires framing)

This artwork is unframed and requires framing.

All art by Jenny Davis

Capturing the essence of past eras in my paintings. In this piece, a mysterious woman sits wrapped in a dressing gown, her face shrouded in mystery. To enhance a profound sense of antiquity and the passage of time, I use layers of transparent oil glazes to give a deep, aged feeling to the artwork. I want viewers to feel like they're looking at a portrait that was painted centuries ago,. The dark, rich tones add to the overall atmosphere, transporting us to a different time and place. It's like stepping into a time capsule through my artLayers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics. Layers ... worn, torn, ripped, creased, bent, scraped, sanded, stapled, glued, painted, stained and inked. Each scrap of vintage paper just as precious and and poignant as the other. In making this piece, I immersed myself in a process of creative abandonment, combining splashes of red with the mysterious shadows of black ink. I used acrylic paint and ink, letting each stain tell a part of a story veiled beneath the surface, reminiscent of vintage aesthetics. Sitting beside the Seine river in Asnieres, Paris, France. The creation of order out of chaos and the eventual return to randomness. The antique collage elements, create a textural play with ink blots and stains that tell a story. It's an abstract embrace of vintage aesthetics that speaks of time’s touch on memories. A contemplative piece that invites the viewer to explore the layers of emotion and history threaded within its fibers.
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